- BPM
- 99
- Key
- A Major
- Camelot
- 11B
Rigoletto, Act I, Scene 2: Addio, speranza ed anima (Duca/Gilda) by Giuseppe Verdi, Giuseppe Di Stefano, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan Song Details
Giuseppe Verdi, Giuseppe Di Stefano, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan's ' "Rigoletto, Act I, Scene 2: Addio, speranza ed anima (Duca/Gilda)" was released on its scheduled release date, 1956. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. This song is part of Verdi Rigoletto by Giuseppe Verdi, Maria Callas, Tito Gobbi, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin. The song's track number on the album is #15 out of 36 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Rigoletto, Act I, Scene 2: Addio, speranza ed anima (Duca/Gilda) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
BPM and Tempo
Since Rigoletto, Act I, Scene 2: Addio, speranza ed anima (Duca/Gilda) by Giuseppe Verdi, Giuseppe Di Stefano, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan has a tempo of 99 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Rigoletto, Act I, Scene 2: Addio, speranza ed anima (Duca/Gilda) being at 99 BPM, the half-time would be 50 BPM with a double-time of 198 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
Music Key
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 9%
- Loudness
- -6.068 dB
- Acousticness
- 82%
- Danceability
- 54%
- Energy
- 88%
- Instrumentalness
- 6%
- Liveness
- 24%
- Loudness
- 90%
- Speechiness
- 8%
- Valence
- 51%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Radetzky March Op. 228 | Riccardo Muti, Wiener Philharmoniker | A Major | 5 | 11B | 106 BPM | |
 | Aida / Act 1: "Se quel guerrier io fossi!..Celeste Aida" | Giuseppe Verdi, Luciano Pavarotti, Orchestra Del Teatro Alla Scala, Milano, Lorin Maazel | B♭ Major | 3 | 6B | 83 BPM | |
 | Torna a Surriento | Ernesto de Curtis, Luciano Pavarotti, Emerson Buckley, Symphony Orchestra Of Emilia Romagna "Arturo Toscanini" | E Minor | 1 | 9A | 96 BPM | |
 | Recordare | Giuseppe Verdi, Carmen Giannattasio, Veronica Simeoni, Alxander Timchenko, Carlo Colombara, Yuri Temirkanov, St. Petersburg Philharmonic Orchestra | F Major | 1 | 7B | 76 BPM | |
 | Die Fledermaus: Overture | Johann Strauss II, Bavarian State Orchestra, Carlos Kleiber | G Major | 1 | 9B | 100 BPM | |
 | Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | |
 | Attila: Overture | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Riccardo Muti | A♭ Major | 1 | 4B | 97 BPM | |
 | Carmen, WD 31, Act II: Toreador Song. Votre toast, je peux vous le rendre | Georges Bizet, Alexandrina Milcheva, Nikola Nikolov, Liliana Vassileva, Nicola Ghiuselev, Stefka Popangelova, Tsvetanka Arshinkova, Milen Paounov, Verter Vrachovsky, Pavel Gerdjikov, Georgi Genov, Sofia National Opera Chorus, Sofia National Opera Orchestr | F Minor | 4 | 4A | 115 BPM | |
 | Handel: Serse, HWV 40, Act 1: Arioso. "Ombra mai fù" (Serse) | George Frideric Handel, Les Arts Florissants, William Christie, Anne Sofie von Otter | E Major | 1 | 12B | 89 BPM | |
 | Tosca, Act II: Vissi d'arte | Giacomo Puccini, Katia Ricciarelli, Ruggero Raimondi, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 0 | 5B | 92 BPM | |
 | Don Giovanni, K.527 / Act 2: "Don Giovanni, a cenar teco m'invitasti" | Wolfgang Amadeus Mozart, Robert Lloyd, Thomas Allen, Simone Alaimo, Ambrosian Opera Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 3 | 6B | 78 BPM | |
 | Verdi: Nabucco, Act 3: "Donna, chi sei?" (Nabucco, Abigaille) / Chi è costei?... Oh, di qual'onta aggravisi" (Nabucco, Abigaille) | Giuseppe Verdi, Philharmonia Orchestra, Riccardo Muti | A♭ Major | 2 | 4B | 78 BPM | |
 | Voices of Spring, Op. 410 | Johann Strauss II, Leonard Bernstein | B♭ Major | 2 | 6B | 110 BPM | |
 | J. Strauss: Radetzky March | Johann Strauss I, Willi Boskovsky, Wiener Johann Strauss Orchester | A Major | 4 | 11B | 112 BPM | |
 | La Traviata / Act 2: "Di Madride noi siam mattadori" | Giuseppe Verdi, Stefania Malagu, Walter Gullino, Giovanni Foiani, Alfredo Giacomotti, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber | G Major | 4 | 9B | 138 BPM | |
 | Vissi D'arte - Tosca Atto Ii | Renata Tebaldi | A♭ Major | 4 | 4B | 73 BPM | |
 | Norma / Act 2: Guerra, guerra! | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | A Major | 2 | 11B | 85 BPM | |
 | Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre dans ce rève" | Charles Gounod, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | C Major | 3 | 8B | 77 BPM | |
| Don Giovanni, K.527: Overture | Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 1 | 10B | 129 BPM | |
 | Les Contes d'Hoffmann (1989 Digital Remaster), Act III: Entr'acte et Barcarolle: Belle nuit, ô nuit d'amour (Une voix/Giulietta/Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Jacques Pruvost, Robert Geay, George London, Michel Sénéchal, Jean Christophe Benoit, Jean-Pierre Laffage, Nicola Ghiuselev, André Malla | D Major | 1 | 10B | 90 BPM | |
 | Cavalleria rusticana: Preludio | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 2 | 7B | 88 BPM | |
 | Tosca: Act III: O dolci mani mansuete e pure (Cavaradossi) | Giacomo Puccini, Nelly Miricioiu, Giorgio Lamberti, Silvano Carroli, Andrea Piccinni, Miroslav Dvorský, Jan Durco, Stanislav Beňačka, Jozef Spacek, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Raimo Sirkia, Slovak Chamber Choir, Alexander Rahbari, Markus Lehtinen | F Major | 0 | 7B | 86 BPM | |
 | Nabucco: Overture | Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado | F Major | 2 | 7B | 100 BPM | |
 | Giulio Cesare, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson | E Major | 0 | 12B | 65 BPM | |
 | Carmen Votre toast, je peux vous le rendre - Instrumental Version | Arthur Fiedler, Boston Pops Orchestra | F Major | 3 | 7B | 113 BPM |
- ISRC
- GBAYC9702287
- Label
- L-M Records/RCA Records