The Nutcracker, Op.71, TH.14, Act I: 2. March by Pyotr Ilyich Tchaikovsky, Werner Andreas Albert, Queensland Symphony Orchestra Song Details

Pyotr Ilyich Tchaikovsky, Werner Andreas Albert, Queensland Symphony Orchestra's 'The Nutcracker, Op.71, TH.14, Act I: 2. March' had a release date set for 1981. The duration of This song is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. The Nutcracker, Op.71, TH.14, Act I: 2. March's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Tchaikovsky: The Nutcracker". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Australia. The Nutcracker, Op.71, TH.14, Act I: 2. March is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With The Nutcracker, Op.71, TH.14, Act I: 2. March by Pyotr Ilyich Tchaikovsky, Werner Andreas Albert, Queensland Symphony Orchestra having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Music Key

This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 12%
Loudness: -13.569 dB
Acousticness: 95%
Danceability: 15%
Energy: 32%
Instrumentalness: 88%
Liveness: 11%
Loudness: 77%
Speechiness: 3%
Valence: 36%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
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Swan Lake, Op. 20, Act II: No. 13, Danses des cygnes: a. Valse – b. Moderato assai – c. Valse – d. Allegro moderato – e. Pas d'action. Andante – f. Valse – g. Coda. Allegro vivace	Pyotr Ilyich Tchaikovsky, Chantal Juillet, Guy Fouquet, Orchestre Symphonique de Montréal, Charles Dutoit	E Major	0	12B	127 BPM
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Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto	Ludwig van Beethoven, Paul Lewis	D♭ Minor	0	12A	172 BPM
Jazz Suite No. 2: VII. Dance 2	Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky	A Major	2	11B	109 BPM
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Waltzes, Op. 64, B. 164: No. 1 in D-Flat Major "Minute Waltz"	Frédéric Chopin, Vittorio Forte	G Minor	0	6A	77 BPM
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico	Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra	G Major	3	9B	97 BPM
Giselle, Act 2: No. 18 Giselle and Albrecht Pas de deux	Adolphe Adam, Tasmanian Symphony Orchestra, Nicolette Fraillon	A♭ Major	1	4B	129 BPM
Scheherazade: The Young Prince	Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim	G Major	1	9B	91 BPM
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Giselle: Act II: Entree d'Hilarion, scene et fugue des Wilis - Grand pas de duex	Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia	G Major	1	9B	122 BPM
Jazz Suite No. 2: 6. Waltz II	Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly	C Minor	2	5A	89 BPM
Carnival of the Animals: The Swan - Arranged for Cello and Harp by Miriam Keogh	Camille Saint-Saëns, None, Sebastian Comberti, Miriam Keogh	G Major	1	9B	123 BPM
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