Tal Farlow's 'Autumn In New York' had a release date set for January 1, 1954. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 8 in the song's album "The Artistry Of Tal Farlow". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. Autumn In New York is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Autumn In New York by Tal Farlow having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Perk's Blues | Emily Remler | F Minor | 3 | 4A | 101 BPM | ||
| There Will Never Be Another You | Kenny Burrell | A♭ Major | 0 | 4B | 119 BPM | ||
| Velvet Moon | Tommy Flanagan Trio | A♭ Major | 1 | 4B | 76 BPM | ||
| In The Wee Small Hours Of The Morning | Gerry Mulligan Sextet | G Major | 0 | 9B | 115 BPM | ||
| Autumn Leaves - Live | Jim Hall, Ron Carter | C Minor | 1 | 5A | 79 BPM | ||
| Dawn Mist | Freddie Redd | A♭ Major | 4 | 4B | 101 BPM | ||
| Popsy | Bobby Timmons Trio | D♭ Major | 1 | 3B | 133 BPM | ||
| And She Remembers Me | Tal Farlow | C Major | 3 | 8B | 120 BPM | ||
| Where Are You (Live) | Ed Bickert | F Major | 1 | 7B | 123 BPM | ||
| Delarna | Tommy Flanagan Trio | G Major | 2 | 9B | 62 BPM | ||
| Stella by Starlight | Jonathan Kreisberg | E♭ Minor | 4 | 2A | 90 BPM | ||
| Dat Dere (Live) | Bobby Timmons Trio | A♭ Major | 1 | 4B | 147 BPM | ||
| We'll Be Together Again | McCoy Tyner | A♭ Major | 1 | 4B | 78 BPM | ||
| Two Degrees East, Three Degrees West | John Lewis | D Minor | 1 | 7A | 130 BPM | ||
| Birk's Works | Junior Mance | B♭ Minor | 2 | 3A | 125 BPM | ||
| Gone With The Wind | Herbert Magidson, Tal Farlow | A♭ Major | 4 | 4B | 99 BPM | ||
| Stranger In Paradise | Barry Harris Trio | G Major | 3 | 9B | 88 BPM | ||
| Thou Swell | Hampton Hawes | F Major | 2 | 7B | 81 BPM | ||
| Conversations at 2 A.M. | The Velvet Spiral Quartet | B Minor | 0 | 10A | 76 BPM | ||
| We'll Be Together Again | Sonny Criss | C Major | 2 | 8B | 67 BPM | ||
| But Not For Me | Kenny Burrell | D Major | 0 | 10B | 82 BPM | ||
| Skylark | John Lewis | D♭ Minor | 0 | 12A | 73 BPM | ||
| Late Date | Buddy Rich | D♭ Major | 2 | 3B | 106 BPM | ||
| Since I Fell For You - Remastered | Stanley Turrentine & The Three Sounds | G Minor | 1 | 6A | 148 BPM | ||
| There Is No Greater Love | McCoy Tyner Trio | G Minor | 3 | 6A | 166 BPM |