Phil Smith, Peter James Thoms's ' "Learning To Fly" was released on its scheduled release date, February 1, 2004. With This song being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 20 in the song's album "Street Jazz". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Learning To Fly's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Learning To Fly by Phil Smith, Peter James Thoms having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| What Purpose | Flock, Bex Burch, Sarathy Korwar, Danalogue, Al MacSween, Tamar Osborn | F♯ Major | 5 | 2B | 122 BPM | ||
| Complicity | Guido Zen | A Minor | 1 | 8A | 157 BPM | ||
| Kitchens | Careful In The Sun | D♭ Minor | 2 | 12A | 90 BPM | ||
| Fields | Gregory Uhlmann, Josh Johnson, Sam Wilkes | A Major | 1 | 11B | 100 BPM | ||
| THE EDGE | Sam Gendel, Sam Wilkes | G Major | 2 | 9B | 121 BPM | ||
| Three Way Mirror | HESITATION | E Major | 2 | 12B | 115 BPM | ||
| Vulkan (A9) | Cort Lunde, Maria Jagd, Laura Toxvaerd | B♭ Major | 3 | 6B | 102 BPM | ||
| spring i | Felbm | E♭ Major | 3 | 5B | 80 BPM | ||
| Sanctification | Arve Henriksen, Robert Jürjendal | G Major | 3 | 9B | 91 BPM | ||
| Mimo Omi | Deron Johnson, Sam Gendel | D Minor | 4 | 7A | 98 BPM | ||
| Edge Of Empty | Flock, Bex Burch, Danalogue, Al MacSween, Sarathy Korwar, Tamar Osborn | D Major | 1 | 10B | 62 BPM | ||
| Healing Love | Chris Dingman | F Major | 0 | 7B | 98 BPM | ||
| Dissolution | John Haycock | C Minor | 3 | 5A | 120 BPM | ||
| Hyper for Love | Lemon Quartet | D♭ Minor | 7 | 12A | 157 BPM | ||
| Posture | Loris S. Sarid | C Major | 0 | 8B | 73 BPM | ||
| Transmission | Eliot Krimsky | E♭ Major | 1 | 5B | 96 BPM | ||
| Family Love Part 2 | kordz, Tamriko Kordzaia | B♭ Major | 3 | 6B | 102 BPM | ||
| The Light Through The Leaves | Woo | C Major | 2 | 8B | 66 BPM | ||
| Smiling School For Calvinists | Andrew Wasylyk | C Major | 3 | 8B | 198 BPM | ||
| Launching Mossy Scow | M. Sage, The Spinnaker Ensemble | F♯ Major | 3 | 2B | 63 BPM | ||
| Epilogue - Three Tenors | Greg Foat | A♭ Major | 0 | 4B | 137 BPM | ||
| Dry Pot Dream | Lemon Quartet | F Major | 7 | 7B | 95 BPM | ||
| Life Over The Fence | Joel Whitaker | B Major | 2 | 1B | 144 BPM | ||
| To the Train | Phil Smith | F♯ Minor | 1 | 11A | 127 BPM | ||
| O like a Tomato | Loris S. Sarid | C Major | 0 | 8B | 73 BPM |