"The Separation - From "The Color Purple" Soundtrack" by Quincy Jones had its release date on January 1, 1989. The duration of This song is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. The Separation - From "The Color Purple" Soundtrack's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 26 in the song's album "The Color Purple (Original Motion Picture Soundtrack)". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. The Separation - From "The Color Purple" Soundtrack is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Separation - From "The Color Purple" Soundtrack by Quincy Jones having a BPM of 59 with a half-time of 30 BPM and a double-time of 118 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Love's Victory - Remastered | Ronnie Laws | A♭ Major | 5 | 4B | 108 BPM | ||
| What About My Love | Johnnie Taylor | C Minor | 6 | 5A | 201 BPM | ||
| The Best Is Yet to Come (feat. Patti LaBelle) | Grover Washington, Jr., Patti LaBelle | G Minor | 4 | 6A | 75 BPM | ||
| Easier Said Than Done | Shakatak | B♭ Major | 7 | 6B | 101 BPM | ||
| Love's Theme | The Love Unlimited Orchestra | E Minor | 6 | 9A | 97 BPM | ||
| Rio De Janeiro Blue | Randy Crawford | C Minor | 6 | 5A | 132 BPM | ||
| Solid | Ashford & Simpson | C Major | 5 | 8B | 101 BPM | ||
| Street Corner | Ashford & Simpson | C Major | 5 | 8B | 111 BPM | ||
| Take Five | Quincy Jones | E♭ Minor | 4 | 2A | 174 BPM | ||
| Harvest for the World | The Isley Brothers | F♯ Minor | 6 | 11A | 110 BPM | ||
| Masterjam | Rufus & Chaka Khan | F Minor | 6 | 4A | 118 BPM | ||
| What You Won't Do for Love | Phyllis Hyman | F♯ Minor | 8 | 11A | 83 BPM | ||
| It Seems to Hang On | Ashford & Simpson, James Simpson | B Minor | 7 | 10A | 116 BPM | ||
| L.A. Is My Lady | Frank Sinatra, Quincy Jones | B♭ Major | 5 | 6B | 112 BPM | ||
| Feel Like Makin' Love | Roberta Flack | A♭ Major | 3 | 4B | 94 BPM | ||
| Blessed | The Emotions | G Minor | 6 | 6A | 84 BPM | ||
| Sweet Sticky Thing | Ohio Players | D♭ Minor | 6 | 12A | 91 BPM | ||
| What's Going On - Part 1 | Quincy Jones | D♭ Minor | 3 | 12A | 108 BPM | ||
| The Memory | Roy Ayers Ubiquity | A♭ Minor | 7 | 1A | 154 BPM | ||
| Moody's Mood For Love (I'm In The Mood For Love) | Quincy Jones, James Moody, Brian McKnight, Take 6, Rachelle Ferrell | C Minor | 5 | 5A | 123 BPM | ||
| Darlin' Darlin' Baby (Sweet, Tender, Love) | The O'Jays | D Major | 7 | 10B | 108 BPM | ||
| Razzamatazz | Quincy Jones | G Minor | 5 | 6A | 120 BPM | ||
| Cast Your Fate To The Wind | Quincy Jones | A Major | 4 | 11B | 170 BPM | ||
| That's The Way Love Goes | Norman Brown | G Minor | 6 | 6A | 98 BPM | ||
| On Broadway | George Benson | B♭ Minor | 3 | 3A | 117 BPM |