Pawan Singh, Palak's ' "Daaleda Choli Mein Rangwa Gulaal" was released on its scheduled release date, January 27, 2012. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 8 in the song's album "Rang Dalwala Vidhayak Ji". In this album, this song's track order is #5. Furthermore, we believe that the track originated from India. Based on our statistics, Daaleda Choli Mein Rangwa Gulaal's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Daaleda Choli Mein Rangwa Gulaal by Pawan Singh, Palak having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jiyara Ke Jari Raha | Neelkamal Singh | A Major | 10 | 11B | 120 BPM | ||
| Sadiya Bulukiya | Pawan Singh, Shivani Singh | C Minor | 10 | 5A | 130 BPM | ||
| Piya Chhod Dihin Na | Pawan Singh | B Minor | 10 | 10A | 90 BPM | ||
| Dhodi Par Chatani Malaiya | Vinod Bedardi | F Major | 10 | 7B | 135 BPM | ||
| Sound Par Sutake Chaar Round Marle | Awadhesh Premi Yadav | D♭ Major | 10 | 3B | 155 BPM | ||
| Kamariya Patre Patre | Pawan Singh, Shilpi Raj | D♭ Major | 10 | 3B | 132 BPM | ||
| Raate Balmuwa Dihle Gari | Pawan Singh, Indu Sonali, Khushboo Jain, Madhukar Anand, Saravjeet Singh, Mamta Raut | C Minor | 9 | 5A | 87 BPM | ||
| Samiyana Ke Chop | Anil Anjan | E Minor | 9 | 9A | 85 BPM | ||
| Tikuliya Ae Raja | Pawan Singh, Shivani Singh | F♯ Minor | 10 | 11A | 128 BPM | ||
| Barkha | Tuntun Yadav, Anupama Yadav | D♭ Major | 10 | 3B | 135 BPM | ||
| Patar Patar Piywa | Pravesh Lal Yadav, Shilpi Raj | F♯ Major | 10 | 2B | 150 BPM | ||
| District Hilati Ho | Chand Jee, Khushi Kakkar | B Major | 9 | 1B | 112 BPM | ||
| Laahanga Se Maal Chuvata | Bullet Raja | C Major | 10 | 8B | 127 BPM | ||
| Chhodi Ae Balamu | Ankush Raja | D♭ Major | 10 | 3B | 170 BPM | ||
| Saiya Sewa Kare | Pawan Singh, Shilpi Raj | F♯ Major | 8 | 2B | 105 BPM | ||
| Kunware Me Ganga Nahaile Bani | Ankush Raja, Shilpi Raj | F♯ Major | 5 | 2B | 115 BPM | ||
| Kala Cobra | Chandan Chanchal | G Minor | 10 | 6A | 125 BPM | ||
| Dilwa Le Gaile Raja | Shilpi Raj | A♭ Major | 10 | 4B | 180 BPM | ||
| Tani Fere Di Balam Ji Karbatiya | Indu Sonali | G Minor | 9 | 6A | 105 BPM | ||
| Jag Hai Pa Jata | Kalpana Patowary, Pawan Singh | F Minor | 9 | 4A | 110 BPM | ||
| Chala Table Pe - From "Nirahua Chalal Sasural 2" | Dinesh Lal Yadav, Kalpana Patowary | G Major | 9 | 9B | 113 BPM | ||
| Bullet Pe Jija 2 | Vinay Pandey Sanu, Shilpi Raj, Dimple Singh | D♭ Minor | 9 | 12A | 120 BPM | ||
| Pandeyji Ka Beta Hoon With Dialogues | Ritesh Pandey, Indu Sonali, Pradeep Panday Chintu | F♯ Minor | 9 | 11A | 150 BPM | ||
| Tahre La Murder Ho Jaaee | Tuntun Yadav, Kajal Raj | C Minor | 10 | 5A | 140 BPM | ||
| Tohra Payal Ke Baaz Rangbaz | Pinky Singh, Khesari Lal Yadav | G Minor | 10 | 6A | 125 BPM |