"Alto Saxophone Sonata in C-Sharp Major (Version for Saxophone & Piano): I. Très modéré, expressif" by Fernande Decruck, Asya Fateyeva, Valeria Myrosh had its release date on January 1, 2016. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 16 in Decruck, Albright, Michat & Ibert: Saxophone Sonatas & Concertos by Asya Fateyeva. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Alto Saxophone Sonata in C-Sharp Major (Version for Saxophone & Piano): I. Très modéré, expressif is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Alto Saxophone Sonata in C-Sharp Major (Version for Saxophone & Piano): I. Très modéré, expressif by Fernande Decruck, Asya Fateyeva, Valeria Myrosh is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Le Tombeau de Couperin, M. 68: III. Menuet - Arr. for Saxophone and Accordion by MZ Duo | Maurice Ravel, MZ Duo | A♭ Major | 2 | 4B | 131 BPM | ||
| Dance Preludes for Clarinet and Piano: No. 2, Andantino | Witold Lutosławski, Anastasia Schmidlin, Denis Zhdanov | B♭ Minor | 0 | 3A | 133 BPM | ||
| Characteristic Study No. 1 in C Major | Jean-Baptiste Arban, Thomas Hooten | F Major | 3 | 7B | 97 BPM | ||
| In Memoriam Dylan Thomas: I. Dirge-Canons (Prelude) | Igor Stravinsky, Quirijn van den Bijlaard, Mark Boonstra, Jose Dias, Alejandro Luque Belmonte, Eeva Koskinen, Hugo Berreni, Christophe Weidmann, Florent Maigrot | A♭ Major | 2 | 4B | 131 BPM | ||
| Sonata Santera: III. Bembe | Iván Enrique Rodríguez, Han Chen, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| Deux berceuses: I. Mouvement calme et souple de berceuse | Fernande Decruck, Quatuor Ellipsos | F Minor | 0 | 4A | 140 BPM | ||
| Prelude in F Minor (Arr. for Wind Quintet by Kara LaMoure) | Nadia Boulanger, WindSync | A♭ Major | 2 | 4B | 131 BPM | ||
| La Mezquita II | Christian Lindberg, Pacho Flores, Swedish Chamber Orchestra | A♭ Major | 7 | 4B | 150 BPM | ||
| La fille aux cheveux de lin [The Girl with the Flaxen Hair]: (Debussy) | Joseph Alessi | F Major | 0 | 7B | 69 BPM | ||
| Sonata for trumpet and piano | Kent Kennan, Raymond Mase | E♭ Major | 1 | 5B | 130 BPM | ||
| Sonata for Trumpet and Piano: 2. Allegretto | Eric Ewazen, Joseph Foley, Bonnie Anderson | F♯ Major | 0 | 2B | 69 BPM | ||
| Schumann: 3 Romances for Oboe and Piano, Op. 94: No. 2, Einfach, innig | Robert Schumann, Albrecht Mayer, Markus Becker | A Major | 0 | 11B | 92 BPM | ||
| Scaramouche, Op. 165c: III. Brazileira | Darius Milhaud, Sohre Rahbari, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | F Major | 3 | 7B | 72 BPM | ||
| Alto Saxophone Sonata in C-Sharp Major (Version for Saxophone & Piano): II. Noël. Andante | Fernande Decruck, Asya Fateyeva, Valeria Myrosh | D♭ Minor | 3 | 12A | 126 BPM | ||
| Solace (A Lyric Concerto): III. Gratitude | Joel Love, Zachary Shemon, Conservatory Wind Symphony of the University of Missouri—Kansas City, Steven D. Davis | A♭ Major | 1 | 4B | 75 BPM | ||
| Duo for Clarinet & Piano in E-Flat Major, Op. 15 | Norbert Burgmüller, Bettina Aust, Robert Aust | D♭ Major | 1 | 3B | 139 BPM | ||
| Cello Concerto in C Minor, Op. 43: I. Adagio | Mieczysław Weinberg, Kristina Reiko Cooper, Constantine Orbelian, Kaunas City Symphony Orchestra | A♭ Major | 2 | 4B | 131 BPM | ||
| Sonata in C-Sharp: IV. Nocturne et Rondel | Fernande Decruck, Preston Duncan, Casey Rafn | A♭ Major | 1 | 4B | 170 BPM | ||
| Saxophone Sonata in C-Sharp Major: IV. Nocturne et Final | Fernande Decruck, Claude Delangle, Odile Delangle | A♭ Major | 1 | 4B | 137 BPM | ||
| Someome to Watch over Me (with Catherine Milledge) | George Gershwin, Martin Smith | D♭ Major | 0 | 3B | 86 BPM | ||
| Dances: No. 4, Sarabande | Tõnu Kõrvits, Ksenija Sidorova, Estonian Festival Orchestra, Paavo Järvi | A♭ Major | 2 | 4B | 131 BPM | ||
| Variations saxophoniques: VII. Lento espressivo (molto cantando) | Fernande Decruck, Quatuor Ellipsos | A♭ Minor | 0 | 1A | 71 BPM | ||
| Riessler: Bachmachine | Michael Riessler, Sabine Meyer, Trio Di Clarone | C Major | 0 | 8B | 74 BPM | ||
| 7 Haikus: III. Poco andante | Benet Casablancas, Ensemble New Babylon, Lorenzo Ferrándiz Carillo | A♭ Major | 0 | 4B | 86 BPM | ||
| Trombone Concerto: II. Quasi una leggenda. Andante grave | Launy Grøndahl, Christian Lindberg, Bamberg Symphony, Leif Segerstam | B♭ Minor | 0 | 3A | 88 BPM |