Raghunandan Bhat's 'He Ambe Maata' had a release date set for August 29, 2014. This song is about six minutes long, preciously at 6:06, making this song fairly long compared to other songs. There are a total of 8 in the song's album "Ranga Yeyi Vo". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. In terms of popularity, He Ambe Maata is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With He Ambe Maata by Raghunandan Bhat having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gau Aarti | Bhavik Haria | D Major | 7 | 10B | 84 BPM | ||
| Kashi Jau Mi Vrindavana | Godavaribai Munde, Rameshbuva Shegaonkar | F♯ Minor | 6 | 11A | 130 BPM | ||
| Ambe Tujhya Bhakticha Laagla Chhand | Anand Shinde, Milind Shinde | A♭ Major | 7 | 4B | 146 BPM | ||
| Namami Shamishan Nirvan Roopam | Upasana Mehta | A♭ Major | 7 | 4B | 154 BPM | ||
| Gajanana Lambodara | Rahul Deshpande | A♭ Major | 8 | 4B | 85 BPM | ||
| Gur Ramdas Teri Saran | Bhai Saroop Singh ji Roop (Hazoori Ragi Sri Darbar Sahib) | A♭ Minor | 5 | 1A | 120 BPM | ||
| Mere Ghar Avo - Gurbani Shabad | Bhai Harjinder Singh | A♭ Major | 9 | 4B | 144 BPM | ||
| Ja Ja Ja Tumhi Jhatkare | Ajit Kadkade | A♭ Major | 5 | 4B | 118 BPM | ||
| Dynaneshwar Mauli (Gajar) | Shree Bramhanidevi Aarti Mandal | G Major | 7 | 9B | 81 BPM | ||
| Mala Baai Jayachn Mathura Bazara | Milind Shinde | A Minor | 5 | 8A | 104 BPM | ||
| Bolo Om Sai Sai | Rakesh Singh | C Major | 7 | 8B | 200 BPM | ||
| Ra Na Pata Sethani | Satpal Dosa, Mainpal Baseda | E Minor | 6 | 9A | 123 BPM | ||
| Shri Ram Jai Ram | Om Shiv Shambho Collective | D♭ Major | 6 | 3B | 114 BPM | ||
| Rup Pahata Lochani | Arun Karekar | E♭ Minor | 6 | 2A | 100 BPM | ||
| Bajirao Pratapi - Shrimant Bajirao Peshwa | Shantanu Herlekar, Siddhesh Jadhav | D Major | 8 | 10B | 100 BPM | ||
| Sai Baban Phone Kela | Omkar Mahadik | D♭ Major | 9 | 3B | 90 BPM | ||
| Shambho Shivshankar Gaay | Bhagwan Lokre, Shridhar Mungekar | D♭ Major | 4 | 3B | 150 BPM | ||
| Durga Chandika Raksha Kavacham (Maa Durga Kavach) [Devi Stuti Mantra] | Piyush Kumar | F Minor | 5 | 4A | 100 BPM | ||
| Jaadu Bhari Teri Aankhen Jidhar gai | Indresh Upadhyay | D♭ Minor | 7 | 12A | 111 BPM | ||
| Thirumagal Ulaavum | V2S2 | A♭ Major | 5 | 4B | 110 BPM | ||
| Mandpiya Wala Seth Sanvra Nalo Toh Shri | Bablu Rajasthani | F Minor | 10 | 4A | 130 BPM | ||
| Ekvel Kari Ya Dukhavegale | Mahesh Hiremath, Shubhangi Jhoshi | D♭ Minor | 7 | 12A | 114 BPM | ||
| Majhya Saicha Udo | Sachidanand Aappa | F♯ Major | 6 | 2B | 104 BPM | ||
| Tuljapuri Ambikeha Naav Gajtay | Sakharabai Tekale | B♭ Major | 8 | 6B | 123 BPM | ||
| Tochi Varkari Pandharicha | Vishnubuva Wavanjekar | A♭ Minor | 10 | 1A | 94 BPM |