Patricia Barber's 'Ode to Billie Joe' had a release date set for September 1, 1994. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 12 in Cafe Blue by Patricia Barber. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Ode to Billie Joe is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Ode to Billie Joe by Patricia Barber is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Make this moment | Inger Marie Gundersen | G Major | 3 | 9B | 119 BPM | ||
| Just Like Love | Steve Strauss | E Minor | 3 | 9A | 87 BPM | ||
| Stay | Yello, Heidi Happy | C Minor | 4 | 5A | 91 BPM | ||
| Oh, Lady Be Good | The Bassface Swing Trio | C Major | 3 | 8B | 134 BPM | ||
| My Funny Valentine | Hailey Tuck | A♭ Major | 3 | 4B | 73 BPM | ||
| Birds | Dominique Fils-Aimé | B♭ Minor | 2 | 3A | 131 BPM | ||
| Straighten Up And Fly Right | Nnenna Freelon, Take 6 | D♭ Major | 3 | 3B | 140 BPM | ||
| Opener | Nenad Vasilic | E Minor | 1 | 9A | 129 BPM | ||
| Heart | Bo Stief Dream Machine | C Minor | 2 | 5A | 78 BPM | ||
| Drive | Bjørn Fjæstad | E Major | 2 | 12B | 79 BPM | ||
| Pink Panther | markusphilippe | E Minor | 2 | 9A | 111 BPM | ||
| Too Much in Love to Care | Claire Martin, Kenny Barron | A Major | 5 | 11B | 147 BPM | ||
| I Don't Want To Hear It Anymore | Shelby Lynne | D♭ Major | 2 | 3B | 140 BPM | ||
| Dragonfly | Anne Bisson | C Major | 1 | 8B | 86 BPM | ||
| Slow Train | Hans Theessink | D Major | 2 | 10B | 112 BPM | ||
| Walking on the Moon | Yuri Honing Trio, Tony Overwater, Joost Lijbaart | C Major | 1 | 8B | 124 BPM | ||
| Shall We Dance? | Patricia Barber | A♭ Major | 2 | 4B | 142 BPM | ||
| Guess You Had to Be There | Janis Ian | B♭ Major | 1 | 6B | 113 BPM | ||
| Master Blaster (Jammin') | Jen Chapin | D♭ Major | 1 | 3B | 119 BPM | ||
| Time to Move On | Anette Askvik | C Major | 1 | 8B | 104 BPM | ||
| What A Difference A Day Makes | Ingram Washington | E Minor | 1 | 9A | 177 BPM | ||
| Who Do You Love? | Barb Jungr | C Major | 2 | 8B | 143 BPM | ||
| Sway | Bria Skonberg | A Minor | 3 | 8A | 94 BPM | ||
| Way Down in the Hole | John Campbell | A♭ Minor | 5 | 1A | 102 BPM | ||
| Blue Mind | Anne Bisson | F Major | 1 | 7B | 53 BPM |