"Humpty Dumpty" by Ornette Coleman, Pat Metheny had its release date on April 1, 1984. This song is about six minutes long, preciously at 5:40, making this song fairly long compared to other songs. There are a total of 8 in the song's album "Rejoicing". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. The popularity of Humpty Dumpty is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Humpty Dumpty by Ornette Coleman, Pat Metheny having a BPM of 178 with a half-time of 89 BPM and a double-time of 356 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 5/4.
This song has a musical key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I'll Be Seeing You | Jonathan Kreisberg, Gary Versace, Matt Penman, Mark Ferber | C Minor | 2 | 5A | 135 BPM | ||
| PAST LIVES | Tom Ollendorff | C Major | 3 | 8B | 74 BPM | ||
| Rope-a-Dope | Bruce Forman, Jeff Hamilton, John Clayton | E Minor | 3 | 9A | 142 BPM | ||
| Flipside | John Abercrombie Quartet | A Minor | 2 | 8A | 110 BPM | ||
| Tfk | Erik Söderlind, Fredrik Lindborg, Kjell Öhman, Kenji Rabson, Moussa Fadera | B Minor | 3 | 10A | 137 BPM | ||
| Blues for Pat Martino | Erik Söderlind, Kjell Öhman, Magnus Lindgren, Martin SjÖstedt, Moussa Fadera | C Major | 1 | 8B | 117 BPM | ||
| Summertime / It Ain't Necessarily So (Medley) | Ted Greene | B Minor | 1 | 10A | 158 BPM | ||
| Kawaida | VUMAHSOH | G Minor | 6 | 6A | 158 BPM | ||
| Ramblin' | Ornette Coleman | D Major | 2 | 10B | 99 BPM | ||
| Rene's Theme | Larry Coryell | B Major | 3 | 1B | 153 BPM | ||
| Not Ethiopia | The Brecker Brothers | B♭ Major | 8 | 6B | 155 BPM | ||
| Turnaround | Pat Metheny | F Minor | 2 | 4A | 138 BPM | ||
| I'm Beginning to See the Light | Phineas Newborn Jr. | A♭ Major | 3 | 4B | 150 BPM | ||
| One Banana | Carla Bley | A Major | 0 | 11B | 98 BPM | ||
| Radio Between Stations | Diner Express | G Minor | 6 | 6A | 158 BPM | ||
| Bill Evans | Lyle Mays | A Minor | 1 | 8A | 135 BPM | ||
| Stardust | Oscar Pettiford | D♭ Major | 1 | 3B | 94 BPM | ||
| Global Citizen | Dave Holland Quintet | A♭ Major | 4 | 4B | 113 BPM | ||
| Outskirts | Scott Henderson, Tribal Tech | B Major | 4 | 1B | 92 BPM | ||
| Something Left Unsaid | Lyle Mays | A Major | 1 | 11B | 76 BPM | ||
| 23 (feat. Dan Gottlieb & Lyle Mays) - Instrumental | Pedro Aznar, Pat Metheny, Dan Gottlieb, Lyle Mays | B Minor | 3 | 10A | 127 BPM | ||
| ATLANTIC ANGELS | Tom Ollendorff | A Major | 2 | 11B | 153 BPM | ||
| Blues For Alice | Rahsaan Roland Kirk | C Major | 4 | 8B | 97 BPM | ||
| It's Almost Gone | Yellowjackets | F♯ Minor | 4 | 11A | 108 BPM | ||
| Blue Blood | Gustav Lundgren Quartet, Gustav Lundgren, Carl Bagge, Martin Hoper, Marc Michel | C Major | 5 | 8B | 118 BPM |