"Going Dark" by Sarah Schachner had its release date on October 18, 2019. The duration of This song is about 3 minutes long, at 3:23. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 29 in Call of Duty®: Modern Warfare (Original Game Soundtrack) by Sarah Schachner. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Going Dark is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Going Dark by Sarah Schachner is Presto (very, very fast), since this song has a tempo of 180 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| One Man At A Time | Rupert Gregson-Williams | D Major | 5 | 10B | 116 BPM | ||
| Refugees | Steven Price | F Major | 2 | 7B | 86 BPM | ||
| Extraction Action | Paul Leonard-Morgan | A Major | 4 | 11B | 120 BPM | ||
| Tiger Battle | Steven Price | G Major | 9 | 9B | 140 BPM | ||
| All Quiet On The Western Front | Volker Bertelmann | G Minor | 2 | 6A | 85 BPM | ||
| Keener's Dream | Ola Strandh, Simon Koudriavtsev | A♭ Minor | 3 | 1A | 180 BPM | ||
| Hill Chase | Sarah Schachner | E Minor | 8 | 9A | 160 BPM | ||
| Libertad | Pedro Bromfman | A Minor | 5 | 8A | 98 BPM | ||
| These Men Are Mine | Christopher Drake | F Minor | 6 | 4A | 103 BPM | ||
| Next in Line | Sarah Schachner | A Major | 7 | 11B | 95 BPM | ||
| Collapse | 中島健太郎 | B Minor | 6 | 10A | 150 BPM | ||
| Forged in Blood | Bill Hemstapat | A♭ Major | 0 | 4B | 65 BPM | ||
| Clean House | Sarah Schachner | B♭ Major | 3 | 6B | 171 BPM | ||
| Swarm Down | Audiomachine | D Major | 8 | 10B | 130 BPM | ||
| V-a-L-H-a-L-L-A | Mick Gordon | D Major | 2 | 10B | 94 BPM | ||
| The Ambush | Johan Söderqvist, Patrik Andrén | D♭ Major | 3 | 3B | 162 BPM | ||
| Fallen Masters | Wilbert Roget, II | D Major | 0 | 10B | 0 BPM | ||
| Sharks Don't Sleep | Dean Valentine | E Minor | 4 | 9A | 118 BPM | ||
| Decline | Pawel Blaszczak | F Major | 3 | 7B | 140 BPM | ||
| A Long Way from Texas | Wilbert Roget, II | E Major | 1 | 12B | 78 BPM | ||
| See You...In Hell | Christopher Drake | D Minor | 3 | 7A | 115 BPM | ||
| Cargo High | Joel Corelitz | A Major | 9 | 11B | 126 BPM | ||
| Corpus Greed | Keith Power | B♭ Minor | 4 | 3A | 190 BPM | ||
| Operation 627 | Walter Mair | F♯ Major | 2 | 2B | 83 BPM | ||
| The Gravewalker (From "Middle Earth:Shadow of Mordor" Video Game) | Sofa Sounds | D Major | 4 | 10B | 105 BPM |