Henry Purcell, Academy of Ancient Music, Christopher Hogwood's ' "The Old Bachelor, Z.607: Rondeau - Menuet - Boree - March - Jig" was released on its scheduled release date, January 1, 1990. With this song being around four minutes long, at 4:12, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 135 in the song's album "Purcell: Theatre Music". In this album, this song's track order is #25. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, The Old Bachelor, Z.607: Rondeau - Menuet - Boree - March - Jig's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With The Old Bachelor, Z.607: Rondeau - Menuet - Boree - March - Jig by Henry Purcell, Academy of Ancient Music, Christopher Hogwood having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| L'Histoire de la femme adultère, C. 191: Simphonie | Louis-Nicolas Clérambault, Reinoud Van Mechelen, A Nocte Temporis | F Minor | 0 | 4A | 117 BPM | ||
| Sinfonia No. 6 in G Minor, Op. 5: III. Allegro | Johann Adolf Hasse, Le Concert de l'Hostel Dieu, Franck-Emmanuel Comte | D♭ Major | 3 | 3B | 120 BPM | ||
| Dido and Aeneas / Act 1: "Shake the cloud from off your brow" | Henry Purcell, Marie McLaughlin, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard | C Minor | 1 | 5A | 103 BPM | ||
| The Tempest, Z. 631, "The Enchanted Island": Neptune' Masque, Act V, No. 14 (Air) | Thomas Shadwell, Aradia Ensemble, Rosemarie van der Hooft, Gillian Keith, Meredith Hall, Nils Brown, Michael Colvin, Brett Polegato, Paul Grindlay, John Dryden, Henry Purcell | C Major | 2 | 8B | 175 BPM | ||
| Concerto for Recorder and Flute in E Minor, TWV 52:e1: Presto | Georg Philipp Telemann, Daniel Rothert, Elke Martha Umbach, Cologne Chamber Orchestra, Helmut Müller-Brühl | F Major | 1 | 7B | 129 BPM | ||
| Suite In G Minor (Suite En Sol Mineur): Prélude | Marin Marais | F♯ Minor | 1 | 11A | 88 BPM | ||
| Concerto Grosso in A Minor, Op. 3, No. 2: I. Presto: Adagio | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Major | 2 | 8B | 141 BPM | ||
| Psyche, Act I: Overture | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
| Purcell: The Tempest, Z. 631, Act 3: Song. "Dry Those Eyes" (Ariel) | Henry Purcell, John Eliot Gardiner, Carol Hall, Monteverdi Orchestra | A♭ Minor | 1 | 1A | 85 BPM | ||
| Concerto grosso No. 3 in D Minor: IV. Allegro (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | F Major | 1 | 7B | 74 BPM | ||
| Diferencias De Folias | Juan Cabanilles, Hespèrion XXI, Jordi Savall | D♭ Minor | 3 | 12A | 101 BPM | ||
| Suite a-moll TWV55:a2: Suite a-moll TWV55:a2: Ouverture | Georg Philipp Telemann, Maurice Steger, Akademie für Alte Musik Berlin | A♭ Minor | 2 | 1A | 97 BPM | ||
| Overture No. 6 in G Minor: I. Allegro | Francesco Maria Veracini, Musica Antiqua Köln, Reinhard Goebel | F♯ Minor | 3 | 11A | 94 BPM | ||
| Simphonia a 8 concertantio in A minor - 2 Violini, 2 Oboe, Viola, Fagotto, Basso Continuo: Allegro (3) | Jan Dismas Zelenka, Il Fondamento, Paul Dombrecht | A♭ Minor | 3 | 1A | 126 BPM | ||
| Canzona seconda a canto solo "detta la Bernardinia" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | A Minor | 2 | 8A | 82 BPM | ||
| Chacony in G | John Blow, Musica Antiqua Köln, Reinhard Goebel | F♯ Major | 2 | 2B | 120 BPM | ||
| Musique de table, Part III: Conclusion in B-Flat Major, TWV 50:10: I. Allegro - Adagio - Allegro | Georg Philipp Telemann, Orchestra of the Golden Age | D♭ Major | 2 | 3B | 114 BPM | ||
| The Indian Queen, Z. 630 : Act III - Third Act Tune (Rondeau) | The Scholars Baroque Ensemble, John Dryden, Henry Purcell | A♭ Major | 0 | 4B | 114 BPM | ||
| Concerto in F Major, S. 234: III. Un poco allegro | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | E Major | 0 | 12B | 99 BPM | ||
| Couperin, F: Second Livre de pièces de clavecin, Sixième Ordre: Les baricades mïstérieuses | François Couperin, Jean Rondeau | A Major | 1 | 11B | 145 BPM | ||
| Purcell: The Fairy Queen, Z. 629, Act 5: No. 54, Chaconne (Dance for Chinese Man and Woman) - with Trumpet | Alison Balsom, Henry Purcell, Trevor Pinnock, The English Concert | B Major | 1 | 1B | 129 BPM | ||
| Oboe Concerto in C Major on Themes of Pergolesi: III. Andantino | Anthony Camden, City of London Sinfonia, Nicholas Ward | C Minor | 0 | 5A | 48 BPM | ||
| Naïs - Ouverture | Jean-Philippe Rameau, Jordi Savall, Le Concert Des Nations | B Major | 5 | 1B | 125 BPM | ||
| Concerti a cinque Op. 9 for oboe and strings, Concerto No. 8 in G major: III. Allegro | Han De Vries, Bob van Asperen, Alma Musica Amsterdam | F♯ Minor | 2 | 11A | 106 BPM | ||
| The Married Beau, Z.603: Trumpet Air - March - Hornpipe On A Ground | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | F♯ Major | 2 | 2B | 108 BPM |