"Deliverance" by Johannes Ringen had its release date on August 22, 2016. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 7 out of 13 in Cave (Original Motion Picture Soundtrack) by Johannes Ringen. Deliverance is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Deliverance by Johannes Ringen is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Journey to Prague | Philip Klein | E♭ Major | 1 | 5B | 136 BPM | ||
| The Same Way | Richer Liana, R Lacy | A Minor | 1 | 8A | 74 BPM | ||
| Swim to Penners | Amelia Warner | C Major | 2 | 8B | 67 BPM | ||
| Night Movements | Jon Opstad | F Minor | 5 | 4A | 143 BPM | ||
| Memories of Zoe | Steffen Thum | A Minor | 1 | 8A | 134 BPM | ||
| Sea of Skulls | Atli Örvarsson | D Major | 2 | 10B | 69 BPM | ||
| Greatest Love | Taran Mitchell | B Major | 4 | 1B | 147 BPM | ||
| Ad Meliora | David Celeste | D♭ Major | 2 | 3B | 82 BPM | ||
| Les démons d'Athos | Guillaume Roussel | D♭ Major | 5 | 3B | 161 BPM | ||
| The End Of My Story | Thomas Newman | E♭ Major | 0 | 5B | 119 BPM | ||
| Como La Primera Vez | Los Elocuentes | G Minor | 0 | 6A | 60 BPM | ||
| Mas Madera | Los Elocuentes | A Minor | 2 | 8A | 138 BPM | ||
| Polar System | Bleeding Fingers | D♭ Major | 3 | 3B | 124 BPM | ||
| Anexiones | Vino Veritas | A♭ Major | 3 | 4B | 120 BPM | ||
| Such A Mess | Alexis Grapsas | B♭ Minor | 1 | 3A | 112 BPM | ||
| Ya Es Demasiado Tarde | Valores Especiales | A Minor | 2 | 8A | 135 BPM | ||
| The First Hearing | Blair Mowat | D♭ Major | 3 | 3B | 86 BPM | ||
| She’s Pregnant | Andrew Lockington | B♭ Minor | 0 | 3A | 190 BPM | ||
| Windflower | Junkie XL | C Minor | 2 | 5A | 79 BPM | ||
| Theater | Theodore Shapiro | C Minor | 0 | 5A | 128 BPM | ||
| Great Barrier Reef | David Schweitzer | C Minor | 2 | 5A | 84 BPM | ||
| In The Shadow Of A Shrine | Junkie XL | C Minor | 1 | 5A | 137 BPM | ||
| I'll Never Let Go | Hampus Naeselius | G Minor | 3 | 6A | 86 BPM | ||
| Apariciones Repentinas | Hasta El Final | B♭ Major | 1 | 6B | 110 BPM | ||
| Hombre Por Hombre | Hasta El Final | F♯ Minor | 0 | 11A | 110 BPM |