"The First Hearing" by Blair Mowat had its release date on November 21, 2025. The duration of This song is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. The First Hearing's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 28 in the song's album "The Age of Disclosure (Original Motion Picture Soundtrack)". In this album, this song's track order is #3. The First Hearing is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The First Hearing by Blair Mowat having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| More Than You Think | Eva Tiedemann | D♭ Major | 1 | 3B | 75 BPM | ||
| Room With No Echo | Shadow Lines | C Minor | 4 | 5A | 188 BPM | ||
| Anna Leamas | Natalie Holt | C Major | 1 | 8B | 138 BPM | ||
| Myriam T | Balaiz | D♭ Major | 1 | 3B | 75 BPM | ||
| Human Specimens[We Sink] | Yaffle | C Major | 2 | 8B | 160 BPM | ||
| We're Not Going That Way | Joel P West | D♭ Major | 1 | 3B | 75 BPM | ||
| Pensando En Ella | emblema pr | A♭ Major | 4 | 4B | 70 BPM | ||
| Backstory | Anne Nikitin | D Minor | 0 | 7A | 66 BPM | ||
| Unapproved Access (From "Eko") | Mujeeb Majeed | A♭ Minor | 4 | 1A | 150 BPM | ||
| Intentions | Blair Mowat | A♭ Major | 2 | 4B | 83 BPM | ||
| Omnus | Djinotan | D Minor | 0 | 7A | 64 BPM | ||
| He Took It | Anne Nikitin | C Minor | 1 | 5A | 138 BPM | ||
| La force du faible | CHLOE (Thévenin) | D♭ Major | 1 | 3B | 75 BPM | ||
| Incertidumbres | Verdes Atardeceres | D Major | 3 | 10B | 115 BPM | ||
| Prolasso Cosmico | EDO ZENITH | E Major | 1 | 12B | 69 BPM | ||
| Quiet World | Ascha Fahrenheit | D Major | 1 | 10B | 69 BPM | ||
| Lost Souls | Andrew Hulshult | D♭ Major | 1 | 3B | 75 BPM | ||
| The First Hearing | Blair Mowat | D♭ Major | 3 | 3B | 86 BPM | ||
| Oh Klahoma | Joyce Allen, Test Drive | B♭ Major | 2 | 6B | 144 BPM | ||
| Waiting to Die | Danny Elfman | D♭ Major | 1 | 3B | 75 BPM | ||
| I Am War Itself | Blair Mowat | A♭ Major | 9 | 4B | 172 BPM | ||
| Burning Clock | Ramin Djawadi | D♭ Major | 1 | 3B | 75 BPM | ||
| In the Night | Edward Farmer, Martin Phipps | A♭ Major | 3 | 4B | 59 BPM | ||
| Credits | Anne Nikitin | D♭ Major | 1 | 3B | 75 BPM | ||
| Cicli Sfasati | EDO ZENITH | A♭ Minor | 1 | 1A | 92 BPM |