Rabindranath Tagore, Sharmistha Paul, Debajyoti Mishra's 'Amar Ange Ange' had a release date set for May 30, 2013. The duration of This song is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Amar Ange Ange's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Anurup Mallik's "Meghe Dhaka Tara (Original Motion Picture Soundtrack)" album is number 5 out of 10. On top of that, India appears to be the country where this track was created. Amar Ange Ange is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Amar Ange Ange by Rabindranath Tagore, Sharmistha Paul, Debajyoti Mishra to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tumi Robe Nirobe | Swagatalakshmi Dasgupta | D Major | 1 | 10B | 68 BPM | ||
| Kali Kali | Neeti Mohan, Rabindranath Tagore | C Major | 1 | 8B | 110 BPM | ||
| Rangiye Diye Jao | Dohar | G Major | 3 | 9B | 120 BPM | ||
| Shono Shono Sujan Amar | Subhamita | D Major | 5 | 10B | 89 BPM | ||
| Megh Boleche Jabo Jabo (From "Abbar Kanchanjangha") | Rupankar Bagchi, Rabindranath Tagore | B♭ Major | 6 | 6B | 138 BPM | ||
| Sujan Maajh | Saket Bairoliya, Rabindranath Tagore | F Major | 2 | 7B | 117 BPM | ||
| Sagar Sangame | Bhupen Hazarika | E♭ Major | 5 | 5B | 118 BPM | ||
| Diner Seshe | Hemanta Mukhopadhyay | E Minor | 4 | 9A | 124 BPM | ||
| Jhorna Kothai Jaabe | Joy Sarkar, Shovan Ganguly | D Major | 4 | 10B | 155 BPM | ||
| Kalare Aaj Badhbo Sokhi | Aditi Chakraborty, Ritam Sen | D Major | 2 | 10B | 144 BPM | ||
| Megh Bolechhe Jabo Jabo | Somlata Acharyya Chowdhury, Joy Sarkar | G Major | 3 | 9B | 80 BPM | ||
| Dhaker Bole Bangla Dole | Dohar | A Minor | 6 | 8A | 130 BPM | ||
| Jibon Jakhon Chhilo Phuler Mato (From "Ardhangini") | Sahana Bajpaie, Rabindranath Tagore | E Major | 3 | 12B | 132 BPM | ||
| Chader Jonno Gaan | Sanjeeb Chaudhury | F Major | 7 | 7B | 80 BPM | ||
| Kali Kali Bol Roshona | Project Maya | A♭ Major | 4 | 4B | 104 BPM | ||
| Sagorer Teer Theke | Shahnaz Rahmatullah | F♯ Major | 5 | 2B | 128 BPM | ||
| Miche Maya | Fazlur Rahman Babu | B Minor | 5 | 10A | 176 BPM | ||
| Bhalobasi Bhalobasi | Swagatalakshmi Dasgupta | E♭ Major | 1 | 5B | 138 BPM | ||
| Amar Din Phuralo | Arnob | B♭ Major | 1 | 6B | 76 BPM | ||
| Ore Chitrarekhadore|Pt. 1 - Background Music And Dialogue | Shaheb Chatterjee, Rabindranath Tagore | B♭ Major | 3 | 6B | 177 BPM | ||
| Jibono Moroner | Piya Chakraborty | D♭ Minor | 5 | 12A | 125 BPM | ||
| Eso Eso Eso Hey Baishakh - Instrumental | Rabindranath Tagore | G Major | 1 | 9B | 112 BPM | ||
| Charano Dharite Diyo Go Aamare | Durnibar | F Minor | 2 | 4A | 110 BPM | ||
| Gopono Kothati | #abhikism, Shayok Banerjee, Rabindranath Tagore | E Minor | 4 | 9A | 144 BPM | ||
| Ei Kothati Mone Rekho | Jayati, Durnibar | E Major | 3 | 12B | 156 BPM |