"When Dreams Become Nightmares" by Abandon All Ships had its release date on 2010. When Dreams Become Nightmares is explicit and may not be suitable for children. With the duration being about 3:51, this song is close to the average duration of a typical track. The track order of this song in Abandon All Ships's "Geeving" album is number 4 out of 10. On top of that, Canada appears to be the country where this track was created. When Dreams Become Nightmares is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of When Dreams Become Nightmares by Abandon All Ships to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Ugly Tree | Casino Madrid | D♭ Major | 9 | 3B | 74 BPM | ||
| Redeeming A Monster | Broadway | G Major | 10 | 9B | 180 BPM | ||
| Dom Perignon | Skip The Foreplay | F♯ Major | 10 | 2B | 140 BPM | ||
| Megawacko2.0 | Abandon All Ships | B Minor | 10 | 10A | 146 BPM | ||
| Factor X | Everyone Dies In Utah | B♭ Minor | 9 | 3A | 140 BPM | ||
| Don't Waste Your Breath | Close to Home | C Minor | 10 | 5A | 124 BPM | ||
| You Won't Be the Last | Through Arteries | F♯ Major | 10 | 2B | 132 BPM | ||
| Stuck Inside My Head | Hopes Die Last | D Major | 10 | 10B | 185 BPM | ||
| Second Chances | Through Arteries | B Minor | 10 | 10A | 103 BPM | ||
| We Are the Reasons | We Came As Romans | D Minor | 9 | 7A | 155 BPM | ||
| Home Edition | Ten After Two | D♭ Minor | 10 | 12A | 118 BPM | ||
| If You Can't Ride Two Horses At Once...You Should Get Out Of The Circus | Asking Alexandria | D Minor | 10 | 7A | 131 BPM | ||
| A New Beginning | Upon This Dawning, Chris Motionless | C Major | 9 | 8B | 143 BPM | ||
| RVG | Capture | D Minor | 9 | 7A | 180 BPM | ||
| Relentless Chaos | Miss May I | A♭ Major | 10 | 4B | 107 BPM | ||
| You're Killing Me Smalls! | We Are Defiance | A♭ Major | 9 | 4B | 160 BPM | ||
| Antithesis | Jamie's Elsewhere | A♭ Major | 9 | 4B | 170 BPM | ||
| A Slave, A Son | Jamie's Elsewhere | B♭ Major | 10 | 6B | 90 BPM | ||
| The Mapmaker | Jamie's Elsewhere | D♭ Minor | 10 | 12A | 175 BPM | ||
| Filth Friends Unite | I See Stars | F Major | 9 | 7B | 162 BPM | ||
| Headshot At The Ballet Recital | That's Outrageous! | A♭ Major | 10 | 4B | 140 BPM | ||
| Back to the Start | The Paramedic | F♯ Major | 10 | 2B | 95 BPM | ||
| Fall Asleep Under the Sky | Amyst | F Minor | 10 | 4A | 130 BPM | ||
| The Masquerade | Adestria | D♭ Major | 10 | 3B | 85 BPM | ||
| Dressed For Friend Requests | Drop Dead, Gorgeous | C Minor | 9 | 5A | 93 BPM |