Skip The Foreplay's 'Dom Perignon' had a release date set for May 1, 2012. The duration of This song is about 3 minutes long, at 3:07. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 13 in the song's album "Nightlife". In this album, this song's track order is #5. Based on our statistics, Dom Perignon's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Dom Perignon by Skip The Foreplay having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Messenger | Sky Eats Airplane | D Major | 8 | 10B | 118 BPM | ||
| Call Me V | Shoot the Girl First | E Major | 10 | 12B | 145 BPM | ||
| Geeving | Abandon All Ships | A♭ Major | 9 | 4B | 132 BPM | ||
| Infidel | His Statue Falls | B Minor | 10 | 10A | 160 BPM | ||
| Our Love (feat. Jessica Ess) | This Romantic Tragedy, Jessica Ess | F♯ Major | 10 | 2B | 73 BPM | ||
| Well, Oh Well | Ten After Two | F Major | 9 | 7B | 167 BPM | ||
| Turbulence | At The Skylines | A♭ Major | 9 | 4B | 140 BPM | ||
| The Artificial | Sky Eats Airplane | C Major | 9 | 8B | 160 BPM | ||
| The Ugly Tree | Casino Madrid | D♭ Major | 9 | 3B | 74 BPM | ||
| Home Edition | Ten After Two | D♭ Minor | 10 | 12A | 118 BPM | ||
| Talk to the Phone Tone | Can't Bear This Party! | F♯ Minor | 10 | 11A | 110 BPM | ||
| Somewhere In Hiding | Secrets | F Minor | 9 | 4A | 145 BPM | ||
| Truth Be Told | Her Demise My Rise | B♭ Minor | 10 | 3A | 165 BPM | ||
| Honest Hitchhikers Asking for Cash Handouts | Sky Eats Airplane | D Major | 8 | 10B | 140 BPM | ||
| All My Friends Are Wild | Adestria | D Major | 10 | 10B | 155 BPM | ||
| To Be Honest I Haven't Been on Apollo 13 | Aliens ate my Setlist | C Major | 10 | 8B | 160 BPM | ||
| White Noise | A Bullet for Pretty Boy | B♭ Minor | 10 | 3A | 149 BPM | ||
| Days Run Long | Mikoto | D♭ Major | 10 | 3B | 97 BPM | ||
| Call It Reckless | Scarlett O'Hara | D♭ Minor | 10 | 12A | 163 BPM | ||
| Until We Have Faces | The Subtle Way | F Major | 10 | 7B | 165 BPM | ||
| You Can Lift Your Dress Like Nobody's Business | Paddock Park | D Minor | 9 | 7A | 161 BPM | ||
| We Left Our Souls in New Jersey | The Paramedic | B Minor | 10 | 10A | 96 BPM | ||
| The Difference Between OK and KO | Aliens ate my Setlist | C Minor | 10 | 5A | 186 BPM | ||
| Hush | At The Skylines | A Major | 10 | 11B | 95 BPM | ||
| Lost In Existence | Scarlett O'Hara | B Minor | 10 | 10A | 142 BPM |