The Gadfly, Op. 97 (Reconstructed by M. Fitz-Gerald): The Cliffs by Mark Fitz-Gerald, Deutsche Staatsphilharmonie Rheinland-Pfalz Song Details

"The Gadfly, Op. 97 (Reconstructed by M. Fitz-Gerald): The Cliffs" by Mark Fitz-Gerald, Deutsche Staatsphilharmonie Rheinland-Pfalz had its release date on November 10, 2017. The duration of This song is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. The Gadfly, Op. 97 (Reconstructed by M. Fitz-Gerald): The Cliffs's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 34 in the song's album "The Gadfly (Original Score)". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, The Gadfly, Op. 97 (Reconstructed by M. Fitz-Gerald): The Cliffs is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With The Gadfly, Op. 97 (Reconstructed by M. Fitz-Gerald): The Cliffs by Mark Fitz-Gerald, Deutsche Staatsphilharmonie Rheinland-Pfalz having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Music Key

This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 1%
Loudness: -24.376 dB
Acousticness: 98%
Danceability: 39%
Energy: 3%
Instrumentalness: 71%
Liveness: 6%
Loudness: 59%
Speechiness: 4%
Valence: 15%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Shostakovich: Concerto for Piano, Trumpet and String Orchestra No. 1 in C Minor, Op. 35: I. Allegretto	Dmitri Shostakovich, Mariss Jansons, Mikhail Rudy, Ole Edvard Antonsen, Berliner Philharmoniker	D Major	0	10B	128 BPM
Khovanshchina: Overture (Prelude)	Modest Mussorgsky, Mariinsky Orchestra, Valery Gergiev	D♭ Major	0	3B	90 BPM
Symphony No. 2 in B Minor: IV. Finale	Alexander Borodin, Gennady Rozhdestvensky, Royal Stockholm Philharmonic Orchestra	D Major	1	10B	129 BPM
Scheherazade: The Fight	Nikolai Rimsky-Korsakov, Joakim Svenheden	E Minor	1	9A	80 BPM
Toccata	Johann Sebastian Bach, Symphonica Orchestra, Leopold Stokowski	D Major	2	10B	130 BPM
The Tempest Suite No. 1, Op. 109, No. 2: I. The Oak Tree	Jean Sibelius, Lahti Symphony Orchestra, Okko Kamu	B♭ Major	0	6B	86 BPM
Le sacre du printemps / Pt. 1: L'Adoration de la terre: V. Jeux des cités rivales	Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä	C Minor	3	5A	110 BPM
Symphony No. 6 in B Minor, Op. 74 "Pathétique": IV. Finale. Adagio lamentoso	Pyotr Ilyich Tchaikovsky, Teodor Currentzis, musicAeterna	B Minor	1	10A	100 BPM
Suite No. 3, P. 172: I. Italiana: Andantino	Ottorino Respighi, RTÉ National Symphony Orchestra	B♭ Major	1	6B	94 BPM
Sibelius: Symphony No. 1 in E Minor, Op. 39: II. Andante, ma non troppo lento	Jean Sibelius, Paavo Berglund, Helsinki Philharmonic Orchestra	C Major	2	8B	109 BPM
The Snowstorm: VII. Wedding ceremony	Georgy Sviridov, Vladimir Fedoseyev, State Academic Large Symphony Orchestra, State academic large symphony orchestra	E Minor	0	9A	88 BPM
King Christian II Suite, Op. 27: I. Nocturne	Jean Sibelius, Thomas Søndergård, BBC National Orchestra Of Wales	A Minor	2	8A	143 BPM
Scheherazade: The princess in a palanquin	Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim	G Major	1	9B	166 BPM
Suite in A Major "American Suite", Op. 98b, B. 190: IV. Andante	Antonín Dvořák, Luzerner Sinfonieorchester, James Gaffigan	C Major	0	8B	63 BPM
Danse macabre, Op. 40	Camille Saint-Saëns, Royal Concertgebouw Orchestra, Charles Münch	D Major	2	10B	81 BPM
Podrugi (Girl Friends), Op. 41a [reconstructed by M. Fitz-Gerald]: The Year 1914: The workers' residential block and factory gates	Dmitri Shostakovich, Agnieszka Bochenek-Osiecka, Aleksandra Poniszowska, Elzbieta Starczynowska, Sabina Myrczek, Adam Myrczek, Camerata Silesia, Celia Sheen, Polish National Radio Symphony Orchestra, Mark Fitz-Gerald	E♭ Major	3	5B	98 BPM
Counterplan, Op. 33: Andante - Allegro "The Song of the Counterplan" (Version for Orchestra)	Mark Fitz-Gerald, Deutsche Staatsphilharmonie Rheinland-Pfalz	A♭ Major	0	4B	102 BPM
Organ Concerto in G Minor, FP 93: IV. Tempo allegro. Molto agitato	Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus	B♭ Minor	0	3A	133 BPM
Lyric Suite, Op. 54: I. Gjetergutt (Shepherd Boy): Andante espressivo	Edvard Grieg, Bergen Philharmonic Orchestra, Ole Kristian Ruud	F Major	0	7B	82 BPM
Gaspard de la nuit: I. Ondine (arr. M. Constant for orchestra)	Maurice Ravel, フランス国立リヨン管弦楽団, レナード・スラットキン	D♭ Major	0	3B	115 BPM
Concerto for Orchestra, Sz. 116: III. Elegia (Andante, non troppo)	Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez	D Major	1	10B	73 BPM
Serenade for String Orchestra in C Minor, Op. posth.: VI. Andante sostenuto	Max Bruch, George Hanson, Sinfonieorchester Wuppertal	E♭ Major	0	5B	87 BPM
Noviy Vavilon (New Babylon), Op. 18 [original manuscript version]: Reel 8 [continued], Original ending	Basel Sinfonietta, Mark Fitz-Gerald	G Major	0	9B	84 BPM
Trittico Botticelliano: No. 3, La nascita di Venere	Ottorino Respighi, Bamberg Symphony, Riccardo Frizza	D♭ Minor	0	12A	95 BPM
Carmen: Modéré (Sombre)	Ernesto Halffter, Radio-Sinfonie-Orchester Frankfurt, Mark Fitz-Gerald	F♯ Minor	0	11A	82 BPM