"Piano Pieces for Children: II. Clouds" by Toru Takemitsu, Lukas Huisman had its release date on May 25, 2018. With This song being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 15 in the song's album "Takemitsu: Complete Works for Piano". In this album, this song's track order is #6. Piano Pieces for Children: II. Clouds is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Pieces for Children: II. Clouds by Toru Takemitsu, Lukas Huisman having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dances: No. 4, Sarabande | Tõnu Kõrvits, Ksenija Sidorova, Estonian Festival Orchestra, Paavo Järvi | D♭ Major | 1 | 3B | 110 BPM | ||
| Samantha Sketches: II. Skyward | Mark Abel, Alice K. Dade, Ieva Jokubaviciute | D♭ Major | 1 | 3B | 110 BPM | ||
| The Rite of Spring, K15, Pt. 1: IV. Spring Rounds | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 110 BPM | ||
| Umi e (Toward the Sea): II - Moby Dick | Toru Takemitsu, Robert Aitken, Toronto New Music Ensemble | D♭ Major | 0 | 3B | 74 BPM | ||
| The Flute Orchestra | Toru Takemitsu | A♭ Minor | 1 | 1A | 73 BPM | ||
| O Land out There, for Clarinet, Oud, Double Bass and Piano | Menachem Wiesenberg, Taiseer Elias, Nir Comforty, Chen Halevi | G Major | 1 | 9B | 87 BPM | ||
| The Crimson Citadel / Surrendering the Castle (Desert of Madness) | Toru Takemitsu | A♭ Minor | 1 | 1A | 73 BPM | ||
| Varii, e diversi capricci per camera, Op. 50: Capriccio in eco (nella grotta) | Maurizio Cazzati, L'Arpeggiata, Christina Pluhar | F Minor | 3 | 4A | 110 BPM | ||
| Das Lied von der Erde: VIa. Der Abschied. Schwer | Gustav Mahler, Les Siècles, François-Xavier Roth, Marie-Nicole Lemieux | D♭ Major | 1 | 3B | 110 BPM | ||
| Forgotten Dances: No. 4, Barcarolle - The Maiden Voyage | Thomas Adès, Sean Shibe | F Major | 0 | 7B | 67 BPM | ||
| Turangalîla-Symphonie: IV. Chant d'amour 2 | Olivier Messiaen, Yuja Wang, Cécile Lartigau, Boston Symphony Orchestra, Andris Nelsons | D♭ Major | 5 | 3B | 87 BPM | ||
| Schoenberg: Verklärte Nacht, Op. 4: I. Grave (1943 Version) | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | D Minor | 1 | 7A | 174 BPM | ||
| Little Tragedies, Chapter 2 "Egyptian Nights": Waltz No. 1 | Alfred Schnittke, Rundfunk-Sinfonieorchester Berlin, Vladimir Jurowski | D Major | 0 | 10B | 96 BPM | ||
| Klavierstück in E Minor - 3 | Anton Webern, Jean-Jacques Dünki | E Minor | 0 | 9A | 111 BPM | ||
| Quatuor pour la fin du Temps: I. Liturgie de cristal | Olivier Messiaen, Louise Bessette, Cameron Crozman, Dominic Desautels, Mark Lee | D♭ Major | 1 | 3B | 110 BPM | ||
| Price: String Quartet in G Major : II. Andante moderato | Florence Beatrice Price, Delirium Musicum, Étienne Gara | C Major | 3 | 8B | 89 BPM | ||
| Schumann: 12 Gedichte aus Liebesfrühling, Op. 37: No. 4: Liebst du um Schönheit | Clara Schumann, Anneleen Lenaerts, Dionysis Grammenos | D♭ Major | 0 | 3B | 91 BPM | ||
| More Gordian Knots (Version for Woodwind Ensemble): III. Jig | Guy Woolfenden, Czech Philharmonic Wind Ensemble, Shea Lolin | G Minor | 2 | 6A | 68 BPM | ||
| Riessler: Deceleration | Michael Riessler, Sabine Meyer, Trio Di Clarone | C Major | 0 | 8B | 74 BPM | ||
| Forgotten Dances: No. 2, Berceuse, The Paradise of Thebes | Thomas Adès, Sean Shibe | C Major | 4 | 8B | 132 BPM | ||
| The Dreams & Prayers of Isaac the Blind: Postlude | Osvaldo Golijov, Emil Jonason, Vamlingbo Quartet | N/A | N/A | N/A | 0 BPM | ||
| Ah, Belinda | Gavin Bryars, Ida Toninato, Jennifer Thiessen, Jean-Christophe Lizotte, Njo Kong Kie | C Minor | 1 | 5A | 117 BPM | ||
| La Catedral: I. Preludio saudade | Agustín Barrios Mangoré, Raphaël Feuillâtre | B Minor | 1 | 10A | 90 BPM | ||
| Symphony No. 14, "Morgenen" (the Morning), BVN 336: II. Upaagtede morgenstjerner [Unnoticed morning stars] | Rued Langgaard, Danish National Choir, Danish National Symphony Orchestra, Thomas Dausgaard | F Major | 0 | 7B | 81 BPM | ||
| Adès: Les baricades mistérieuses | Thomas Adès, Composers Ensemble | B♭ Major | 0 | 6B | 132 BPM |