"Umi e (Toward the Sea): II - Moby Dick" by Toru Takemitsu, Robert Aitken, Toronto New Music Ensemble had its release date on October 18, 2003. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Takemitsu: Toward the Sea / Rain Tree / Rain Spell / Bryce". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Hong Kong. Umi e (Toward the Sea): II - Moby Dick is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Umi e (Toward the Sea): II - Moby Dick by Toru Takemitsu, Robert Aitken, Toronto New Music Ensemble having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 6 Encores: No. 3, Wasserklavier | Luciano Berio, Hélène Grimaud | B♭ Minor | 0 | 3A | 81 BPM | ||
| 5 Pieces for Cello and Piano: No. 4, Song | James Lentini, Pansy Chang, Siok Lian Tan | A Major | 1 | 11B | 117 BPM | ||
| Aus tiefer Not schrei ich zu dir, BWV 687 (Arr. Kurtág for Piano 4 Hands) | Johann Sebastian Bach, Márta Kurtág, György Kurtág | B Minor | 0 | 10A | 79 BPM | ||
| 2 Piano Pieces, KSS 17: No. 1, In the Hothouse | Kaikhosru Sorabji, Michael Habermann | D♭ Major | 9 | 3B | 188 BPM | ||
| English Suite: Meditation | Paul Lewis, Royal Northern Sinfonia, David Lloyd-Jones | A Minor | 0 | 8A | 61 BPM | ||
| Sarabande for Guitar, FP 179 | Francis Poulenc, Nash Ensemble | E Minor | 0 | 9A | 87 BPM | ||
| Gli uccelli, P. 154: II. La colomba. Andante expressivo (The Birds) | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | F♯ Minor | 1 | 11A | 58 BPM | ||
| Pulcinella, K 034: II. Serenata | Igor Stravinsky, Josep Pons, Orquestra De Cambra Teatre Lliure | C Minor | 0 | 5A | 77 BPM | ||
| Nocturne No. 4 for Piano | Almeida Prado, Aleyson Scopel | G Major | 1 | 9B | 95 BPM | ||
| Toward the Sea: I. The Night | Toru Takemitsu, Alexej Gerassimez, NDR Radiophilharmonie, Gordon Hamilton | A♭ Major | 0 | 4B | 105 BPM | ||
| Suite for Viola & Small Orchestra: I. Prelude | Ralph Vaughan Williams, Helen Callus, New Zealand Symphony Orchestra, Marc Decio Taddei | B Major | 0 | 1B | 119 BPM | ||
| 5 Pieces for String Quartet: No. 1, Alla Valse Viennese | Erwin Schulhoff, Aviv Quartet | C Major | 2 | 8B | 82 BPM | ||
| Schoenberg: Verklärte Nacht, Op. 4: I. Grave (1943 Version) | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | D Minor | 1 | 7A | 174 BPM | ||
| 4 Ragtime Dances: No. 1, — | Charles Ives, Orchestra New England, James Sinclair | G Major | 0 | 9B | 173 BPM | ||
| Rapsodie espagnole, M. 54: I. Prélude à la nuit | Maurice Ravel, Pierre Boulez, The Cleveland Orchestra | C Major | 2 | 8B | 107 BPM | ||
| Orgelbüchlein, BWV 599-644: Durch Adams Fall ist ganz verderbt, BWV 637 (Arr. Thomas) | Johann Sebastian Bach, Fred Thomas, Aisha Orazbayeva, Lucy Railton | D Minor | 0 | 7A | 135 BPM | ||
| Nocturne 'Homage to John Field', Op. 33 | Samuel Barber, Ruth Slenczynska | A♭ Major | 1 | 4B | 65 BPM | ||
| Umi e (Toward the Sea): II - Moby Dick | Toru Takemitsu, Robert Aitken, Toronto New Music Ensemble | D♭ Major | 0 | 3B | 74 BPM | ||
| Játékok / 1.: 25a. Örökmozgó (talált tárgy) | György Kurtág | C Major | 0 | 8B | 72 BPM | ||
| Cadenza für Violine und Klavier | Sophia Jani, Clarissa Bevilacqua, Martina Consonni | A Major | 2 | 11B | 142 BPM | ||
| Rothko Chapel 4 | Morton Feldman | A Minor | 0 | 8A | 82 BPM | ||
| Valse lente | Germaine Tailleferre, Dario Müller | G Major | 0 | 9B | 66 BPM | ||
| 2 Japanese Folk Songs for Guitar: No. 2, Lullaby | Toshio Hosokawa, Shin-ichi Fukuda | G Minor | 0 | 6A | 137 BPM | ||
| Tension in Yahatabara / Assault | Toru Takemitsu | A♭ Minor | 1 | 1A | 73 BPM | ||
| 6 Studies in English Folksong (Version for Cello & Piano): No. 4, Lento "She Borrowed Some of Her Mother's Gold" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | E Major | 1 | 12B | 79 BPM |