On May 10, 2001, the song "Javniyan Hamar Bhauji" was released by Rekha Rani. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Rekha Rani's "Jhaar Da Ae Ojha Ji" album is number 4 out of 8. On top of that, India appears to be the country where this track was created. The popularity of Javniyan Hamar Bhauji is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Javniyan Hamar Bhauji by Rekha Rani to be Vivace (lively and fast) because the track has a tempo of 161 BPM, a half-time of 80BPM, and a double-time of 322 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kinnauri Daiye | Dimple Thakur | B Major | 9 | 1B | 168 BPM | ||
| Aileasa | Sangeetha Katti, Vani Harikrishna, Rekha Rani | F Minor | 3 | 4A | 109 BPM | ||
| Dosar Saala Leike Farar Ho Gail | Vinod Bedardi | G Major | 10 | 9B | 136 BPM | ||
| Jobna Mange La Gawanwaan | Bijli Rani, Dabbu Shukla, Rekha Rani | B Major | 8 | 1B | 103 BPM | ||
| Dhamaka | Pawan Singh, Shilpi Raj, Shubham Raj (SBR) | E♭ Minor | 10 | 2A | 83 BPM | ||
| Beeche Se Char Char Fat Ta | Arvind Akela Kallu Ji | D♭ Major | 10 | 3B | 150 BPM | ||
| Hayi Dekh Daru Pike | Rekha Rani | D♭ Major | 6 | 3B | 125 BPM | ||
| Meri Raati Diyan Neendran | Darmaiz Sondhu, Rekha Rani | D♭ Minor | 8 | 12A | 82 BPM | ||
| Bola Jalebi Ke Rasssa Khaali Chutta Lagayibu Ka | Rekha Rani | D♭ Minor | 8 | 12A | 82 BPM | ||
| Sona Ka Jhumka | Ram Kaushal, Manju Nautiyal | B Minor | 8 | 10A | 121 BPM | ||
| Gaana Dj Par Baaji | Neelkamal Singh | D♭ Major | 9 | 3B | 80 BPM | ||
| Jaada Me Na Jhagada Kail Jala Bhataar Se | Ajeet Anand | F Major | 9 | 7B | 124 BPM | ||
| Hamra Marad Chahi Horn Dabawewala | Indu Sonali | B Minor | 5 | 10A | 82 BPM | ||
| YAARO RI SHADI | Nati King Kuldeep Sharma | A♭ Major | 10 | 4B | 146 BPM | ||
| Sound Par Sutake Chaar Round Marle | Awadhesh Premi Yadav | D♭ Major | 10 | 3B | 155 BPM | ||
| Rah Mein Nikal Chala | Rajesh Rajnish | D♭ Major | 9 | 3B | 76 BPM | ||
| Ham Ta Babali Bolatani | Alok Kumar | A♭ Minor | 10 | 1A | 72 BPM | ||
| Bina Piyale Tiwari Ji Ke Nasha Bhail Ba | Mohan Rathore, Alok Kumar | G Major | 10 | 9B | 155 BPM | ||
| Pyar Ke Amrit Pike | Khesari Lal Yadav, Priyanka Singh | F♯ Major | 7 | 2B | 180 BPM | ||
| Bina Filtar Dekhi Mene Aaj Chudailan Ki Bu Nikali | Jittu Khare Badal, Ramdevi Masoom | B♭ Minor | 9 | 3A | 123 BPM | ||
| BAHIYA ME KASI KE SAIYA | Manish Lal Yadav, Neha Raj | F Major | 10 | 7B | 123 BPM | ||
| Sadiya Sarkawa Raja Ji | Neelkamal Singh, Adr Anand, Ashutosh Tiwari | B Major | 10 | 1B | 130 BPM | ||
| Sher Aaya | Abhishek Shukla | B♭ Minor | 10 | 3A | 90 BPM | ||
| Kahan Jaaiba Chhaila | Bijli Rani, Rekha Rani | A Major | 5 | 11B | 160 BPM | ||
| Baap Ke Dehal Gaadi | Bijli Rani, Rekha Rani | A♭ Major | 7 | 4B | 91 BPM |