On March 1, 1992, the song "Jobna Mange La Gawanwaan" was released by Bijli Rani, Dabbu Shukla, Rekha Rani. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 9 in Dardiya E Balam by Bijli Rani, Dabbu Shukla, Rekha Rani. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Jobna Mange La Gawanwaan is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Jobna Mange La Gawanwaan by Bijli Rani, Dabbu Shukla, Rekha Rani is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mein Mehandipur Mein Aayi | Sanjay Bhagi, Rakesh Kala, Vandana Vajpai | F♯ Minor | 6 | 11A | 96 BPM | ||
| Haay Re Jiyara | Bijli Rani | A♭ Major | 9 | 4B | 139 BPM | ||
| Hajma Dheere Dheere Katiyhe Bhuya K Kesh | Poonam Mishra | D Major | 7 | 10B | 167 BPM | ||
| Janme Avadh Mein Ram | Prem Prakash Dubey | D♭ Major | 8 | 3B | 105 BPM | ||
| Shyam to Prem ke bhukhe hai | Mayank Agarwal | F Major | 7 | 7B | 75 BPM | ||
| Sab Kuch Karih Pyar Na Karih | Kalpana Patowary, Suresh Wadkar | C Major | 4 | 8B | 78 BPM | ||
| Bhangiya Mein Maja Ka Paie | Kalpana Patowary | B♭ Minor | 5 | 3A | 154 BPM | ||
| Naina Har Havay Kajarli | Gorelal Barman, Ratan Sabiha | F♯ Minor | 8 | 11A | 76 BPM | ||
| Chhepi Joro Mero Yaar Pahadan Manh Bhaderwahi Song | Mool Raj Misher | F Minor | 6 | 4A | 103 BPM | ||
| Marudhar Ri Dhrti Par Midar Baniyo Bhari | Prakash Mali, Mahendra Singh, Daksha Prajapati | G Major | 8 | 9B | 98 BPM | ||
| পিঞ্জিরা ছাড়িয়া পাখী | Rakhi Dasi Baul | F Major | 7 | 7B | 91 BPM | ||
| Darshan Deta Jayjo | Moinuddin Manchala | F Minor | 7 | 4A | 92 BPM | ||
| Kashi Bhola Ke Rajdhani | Bharat Sharma Vyas | B♭ Minor | 8 | 3A | 132 BPM | ||
| Sunder Kand Ka Part Karo | Ranjeet Raja | B♭ Major | 9 | 6B | 130 BPM | ||
| Ton Bhi Chade Wen Jani | Fozia Soomro | G Minor | 8 | 6A | 204 BPM | ||
| Bhomiya Ho Raja | Bhoma Ram Panwar | C Minor | 9 | 5A | 112 BPM | ||
| Mor Jiji Ji | Bijli Rani | D Major | 8 | 10B | 88 BPM | ||
| Ma Durga Bhawani Mamta Rani | Dukalu Yadav | C Minor | 8 | 5A | 164 BPM | ||
| Jejuricha Raja Devhari Sonyachya | Chhagan choughule | A♭ Major | 8 | 4B | 97 BPM | ||
| Aadhi Raat Ko Aaye Balam | Diwakar Dwivedi | D♭ Major | 6 | 3B | 154 BPM | ||
| Ruat Aai Bole Mira Re | Moinuddin Manchala, Prakash Mali | E♭ Major | 7 | 5B | 95 BPM | ||
| Preetdi Rue Rah Rah | Sadhana Sargam, Arvind Barot | F Major | 3 | 7B | 75 BPM | ||
| Maiya Kona Ke Pujab | Dilip Darbhangiya | D♭ Major | 8 | 3B | 150 BPM | ||
| Ghun Gao Sareer Tumai Aasha Mai | Soniya Studio, Ramrati kushwaha, Dileep Ahirwar, Ramrati | F Minor | 8 | 4A | 138 BPM | ||
| Lage Bimari Payse Ki - Hindi | Parmod Kumar | C Minor | 7 | 5A | 132 BPM |