Bijli Rani's ' "Haay Re Jiyara" was released on its scheduled release date, April 1, 1995. This song is about six minutes long, preciously at 5:40, making this song fairly long compared to other songs. The song is number 7 out of 7 in Bob Cut Mein by Bijli Rani. Based on our statistics, Haay Re Jiyara's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Haay Re Jiyara by Bijli Rani is Allegro (fast, quick, and bright), since this song has a tempo of 139 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ma Jor Ko Yaw Mahal | Haroon Bacha | C Minor | 6 | 5A | 90 BPM | ||
| Tera Khana Kharab - Sawal | Chhote Yusuf Azad | G Major | 5 | 9B | 99 BPM | ||
| Aay Pokhar Me Uthlai Ujahi - Maithili | Dilip Darbhangiya | A♭ Major | 10 | 4B | 126 BPM | ||
| Pat Khulte Hi Maai Musukai Lee | Bharat Sharma Vyas | G Minor | 5 | 6A | 123 BPM | ||
| Kaari Wo Tor Maya | Gorelal Barman, Ratan Sabiha | E♭ Major | 6 | 5B | 162 BPM | ||
| De Daiyo Baba | Satish | A♭ Major | 9 | 4B | 162 BPM | ||
| Ton Bhi Chade Wen Jani | Fozia Soomro | G Minor | 8 | 6A | 204 BPM | ||
| Gire Na Abhe Dudh Ke Daant | Deshraj Narvariya | F♯ Major | 10 | 2B | 128 BPM | ||
| Devra Ke Milal Mauka | Bikki Bahar, Bijli Rani | D♭ Major | 8 | 3B | 86 BPM | ||
| Mahra Piyar Main Boi Gangour | Vaishali Sen, Motha Kharte | E Minor | 5 | 9A | 155 BPM | ||
| Jeeybo Kaise Akel | Aashish Yadav | D Major | 6 | 10B | 115 BPM | ||
| Kone Nagar Sa Aayal Tapsiya | Poonam Mishra | G Major | 5 | 9B | 104 BPM | ||
| Mangal Gariya He | Adarsh Aadee | D Minor | 4 | 7A | 78 BPM | ||
| Maiya Ke Mahima Aparampaar | Bharat Sharma Vyas | A♭ Minor | 7 | 1A | 118 BPM | ||
| Lali Lali Bindiya | Madan Rai | D♭ Minor | 4 | 12A | 80 BPM | ||
| Argala Strot Namskar (Shree Durga Stuti Path) | Saurabh Madhukar, Keshav Madhukar | B♭ Major | 5 | 6B | 110 BPM | ||
| Maari Bhar Ke Najaria | Deshraj Pateriya, Savita Parwati, Ramkripal Ray | D♭ Minor | 7 | 12A | 78 BPM | ||
| Khatu Wale Mujhe Bulale Ekbar | Sanjay Mittal, Nandu Ji, Uma Lahari, Mukesh Bagda | F♯ Major | 6 | 2B | 135 BPM | ||
| Barrotan Moye Dikhbe Bhoot Babba Tumai Maro Bhaboot | Narendra Thakur, Ramdevi Masoom | F♯ Major | 9 | 2B | 116 BPM | ||
| Aawe - Aawe Gori Hamra Sang | Kumar Kiran, Bijli Rani, Sarwan Saaj, Mona, Tumpa Das | A Minor | 5 | 8A | 190 BPM | ||
| Mhe To Lulta Lulta Aaungi | Gopal Bajaj | B♭ Major | 9 | 6B | 81 BPM | ||
| Arara Sarara Pi Gayo Dahi | Rajesh Goswami | F♯ Major | 9 | 2B | 120 BPM | ||
| Shiv Ho Utrab Paar | Mithilesh Mishra | G Minor | 10 | 6A | 150 BPM | ||
| Ankhiya Me Bhar Ke Asarwa | Bharat Sharma | B♭ Major | 7 | 6B | 145 BPM | ||
| Naina Har Havay Kajarli | Gorelal Barman, Ratan Sabiha | F♯ Minor | 8 | 11A | 76 BPM |