"Variations on a theme by Haydn, Op. 56a "St. Anthony Variations": Var. IV" by Johannes Brahms, Pittsburgh Symphony Orchestra, Marek Janowski had its release date on August 1, 2007. With This song being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 14 in Brahms: Variations on a Theme by Haydn & Symphony No. 1 by Johannes Brahms, Pittsburgh Symphony Orchestra, Marek Janowski. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Variations on a theme by Haydn, Op. 56a "St. Anthony Variations": Var. IV is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Variations on a theme by Haydn, Op. 56a "St. Anthony Variations": Var. IV by Johannes Brahms, Pittsburgh Symphony Orchestra, Marek Janowski is Lento (slowly), since this song has a tempo of 60 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Roman Festivals: I. Circenses | Ottorino Respighi, New York Philharmonic, Giuseppe Sinopoli, Johannes Geffert | D♭ Major | 1 | 3B | 135 BPM | ||
| The Tempest Suite No. 1, Op. 109, No. 2: I. The Oak Tree | Jean Sibelius, Lahti Symphony Orchestra, Okko Kamu | B♭ Major | 0 | 6B | 86 BPM | ||
| String Quartet in G Minor, Op. 27: IV. Finale. Lento - Presto al saltarello (Arr. R. Tognetti for string orchestra) | Edvard Grieg, Australian Chamber Orchestra, Richard Tognetti | F Major | 0 | 7B | 92 BPM | ||
| Czech Suite, Op. 39: I. Preludium. Pastorale | Antonín Dvořák, Janáček Philharmonic Orchestra, Theodore Kuchar | F♯ Major | 1 | 2B | 86 BPM | ||
| Symphony No. 1 in F Minor, Op. 10: III. Lento - Largo - Lento | Dmitri Shostakovich, Gianandrea Noseda, London Symphony Orchestra | E Major | 0 | 12B | 76 BPM | ||
| Sinfonietta, JW VI/18: II. The Castle, Brno. Andante – Allegretto | Leoš Janáček, Bavarian Radio Symphony Orchestra, Rafael Kubelík | A♭ Minor | 2 | 1A | 144 BPM | ||
| Symphony No. 4 in D Minor: IV. Finale. Allegro vivace - Più vivace - Stringendo - Presto (1841) | Robert Schumann, Berliner Philharmoniker, Sir Simon Rattle | E♭ Major | 2 | 5B | 120 BPM | ||
| Jūra, MKČ 102: V. Recapitulation | Mikalojus Konstantinas Čiurlionis, Lithuanian National Symphony Orchestra, Mirga Gražinytė-Tyla | A Minor | 0 | 8A | 85 BPM | ||
| The Dream of Gerontius, Op. 38, Pt.2: Introduction | Sir Edward Elgar, Hallé, Sir Mark Elder | F Major | 0 | 7B | 88 BPM | ||
| Piano Concerto in A Minor, Op. 7: III. Finale. Allegro non troppo | Clara Schumann, Howard Shelley, Tasmanian Symphony Orchestra | A♭ Major | 0 | 4B | 72 BPM | ||
| Neon Trails | Nomad Skies | D Major | 1 | 10B | 161 BPM | ||
| Piano Concerto No. 1, Op. 45: II. Andante (ma rubato) | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | D♭ Major | 0 | 3B | 104 BPM | ||
| Symphony No. 4, Op. 29 "The Inextinguishable": I. Allegro | Carl Nielsen, Danish National Symphony Orchestra, Fabio Luisi | A Major | 2 | 11B | 82 BPM | ||
| Symphony in 3 Movements, K073: II. Andante Interlude | Igor Stravinsky, Orchestre National Bordeaux Aquitaine, Bar Avni | D Major | 1 | 10B | 161 BPM | ||
| String Quartet No. 6 in F Minor, Op. 80: III. Adagio | Felix Mendelssohn, Doric String Quartet | A♭ Major | 0 | 4B | 127 BPM | ||
| Color Field: I. Yellow | Anna Clyne, Baltimore Symphony Orchestra, Marin Alsop | G Major | 1 | 9B | 98 BPM | ||
| Le sacre du printemps / Pt. 2: Le sacrifice: XI. Glorification d'élue | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | C Minor | 2 | 5A | 89 BPM | ||
| String Quartet in G Minor, Op. 10, L. 85: I. Animé et très décidé | Claude Debussy, Belcea Quartet | C Major | 2 | 8B | 85 BPM | ||
| Music for Strings, Percussion and Celesta, Sz. 106: IV. Allegro molto | Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti | D♭ Major | 3 | 3B | 121 BPM | ||
| Symphony No. 5 In B-Flat, Op. 100: 4. Allegro giocoso | Sergei Prokofiev, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 131 BPM | ||
| Turangalîla-Symphonie: I. Introduction | Olivier Messiaen, Yuja Wang, Cécile Lartigau, Boston Symphony Orchestra, Andris Nelsons | B Major | 4 | 1B | 152 BPM | ||
| V. Elegi. Till Carin, min hustru (Elegy. To Carin, my wife) | Hugo Alfvén, Gothenburg Symphony Orchestra, Neeme Järvi | D Major | 1 | 10B | 161 BPM | ||
| Symphony No. 2 in D Major, Op. 73: II. Adagio non troppo - L'istesso tempo, ma grazioso | Johannes Brahms, Chamber Orchestra of Europe, Yannick Nézet-Séguin | A Major | 1 | 11B | 47 BPM | ||
| Symphony No. 1, Op. 9: I. Allegro ma non troppo | Samuel Barber, Leonard Slatkin, St. Louis Symphony | D♭ Major | 0 | 3B | 106 BPM | ||
| Serenade for Strings in E Minor, Op. 20: III. Allegretto | Edward Elgar, Orpheus Chamber Orchestra | E♭ Major | 0 | 5B | 68 BPM |