"Symphony in 3 Movements, K073: II. Andante Interlude" by Igor Stravinsky, Orchestre National Bordeaux Aquitaine, Bar Avni had its release date on February 6, 2026. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Since Stravinsky: Symphony in 3 Movements, K073: II. Andante Interlude only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from France. Based on our statistics, Symphony in 3 Movements, K073: II. Andante Interlude's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony in 3 Movements, K073: II. Andante Interlude by Igor Stravinsky, Orchestre National Bordeaux Aquitaine, Bar Avni having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Roussel: Bacchus et Ariane, Suite No. 2, Op. 43: Prélude. Ariane dort (Andante) | Albert Roussel, Georges Prêtre, Orchestre National De France | F Major | 0 | 7B | 90 BPM | ||
| Liebestraum No. 3, S 541 | Franz Liszt, Michael Collins, Michael McHale | A♭ Major | 0 | 4B | 76 BPM | ||
| Romanze, Op. 14 | Leó Weiner, Ditta Rohmann, Istvan Kassai | A♭ Major | 0 | 4B | 133 BPM | ||
| Prelude and Fugue in D Major, P. 158: Fugue. Allegro (After J.S. Bach's BWV 532) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 1 | 10B | 99 BPM | ||
| 5 Morceaux de fantaisie, Op. 3: No. 2, Prélude | Sergei Rachmaninoff, Boris Giltburg | A♭ Major | 0 | 4B | 133 BPM | ||
| Cello Sonata, FP 143: II. Cavatine. Très calme | Francis Poulenc, Jean-Guihen Queyras, Alexandre Tharaud | D♭ Major | 0 | 3B | 110 BPM | ||
| Symphony No. 1, GMW 11: IIIa. Feierlich und gemessen, ohne zu schleppen | Gustav Mahler, Tonhalle-Orchester Zürich, Paavo Järvi | D Major | 4 | 10B | 87 BPM | ||
| Oboe Sonata in D Major, Op. 166: II. Ad libitum - Allegretto - Ad libitum | Camille Saint-Saëns, Albrecht Mayer, Karina Wisniewska | E Major | 0 | 12B | 58 BPM | ||
| Sibelius: Symphony No. 1 in E Minor, Op. 39: III. Scherzo. Allegro | Jean Sibelius, Paavo Berglund, Helsinki Philharmonic Orchestra | C Major | 2 | 8B | 109 BPM | ||
| Sonate pour basson, Op. 168: I. Allegretto moderato | Camille Saint-Saëns, Marc Trenel, Pascal Godart | G Major | 1 | 9B | 67 BPM | ||
| Vocalise, Op. 34, No.14 | Sergei Rachmaninoff, Tomás Jerez, Manuel Corbacho | F Major | 2 | 7B | 133 BPM | ||
| Prelude a l'apres-midi d'un faune (feat. Andrew Davis) | Jeanne Baxtresser | A♭ Minor | 2 | 1A | 169 BPM | ||
| The Bronze Horseman (Arr. J. Lenehan): II. Andante | Helen Habershon, Andrew Fuller, John Lenehan | A Minor | 1 | 8A | 89 BPM | ||
| Dances: No. 4, Sarabande | Tõnu Kõrvits, Ksenija Sidorova, Estonian Festival Orchestra, Paavo Järvi | A♭ Major | 0 | 4B | 133 BPM | ||
| 3 Easy Pieces For Piano Duet: 1. March | Igor Stravinsky, Katia Labèque, Marielle Labèque | G Minor | 2 | 6A | 84 BPM | ||
| Cello Concerto in A Minor, Op. 129: IIa. Sehr langsam | Robert Schumann, Kian Soltani, Camerata Salzburg, Gregory Ahss | E Major | 0 | 12B | 113 BPM | ||
| Prokofiev: Violin Concerto No. 2 in G Minor, Op. 63: II. Andante assai | Sergei Prokofiev, Frank Peter Zimmermann, Philharmonia Orchestra, Mariss Jansons | F Minor | 0 | 4A | 93 BPM | ||
| Concerto for Cello and Orchestra in B Minor, Op. 104: II. Adagio ma non troppo | Antonín Dvořák, Raphaël Jouan, Orchestre national de Metz Grand Est, David Reiland | A♭ Major | 0 | 4B | 133 BPM | ||
| Neon Waves | Lumi Risto | D Major | 1 | 10B | 130 BPM | ||
| Woodland Suite: III. Moon-Fairy | George Dyson, BBC Symphony Orchestra, Richard Hickox | A Major | 0 | 11B | 74 BPM | ||
| King Kristian II, Op. 27: III. Musette | Jean Sibelius, New Zealand Symphony Orchestra, Pietari Inkinen | A Minor | 3 | 8A | 70 BPM | ||
| Someome to Watch over Me (with Catherine Milledge) | George Gershwin, Martin Smith | D♭ Major | 0 | 3B | 86 BPM | ||
| Violin Concerto In D Minor, Op. 47: 2. Adagio di molto | Jean Sibelius, Esther Yoo, Philharmonia Orchestra, Vladimir Ashkenazy | B Major | 4 | 1B | 158 BPM | ||
| Divertimento for Strings, Sz. 113: III. Allegro assai | Béla Bartók, Orpheus Chamber Orchestra | B♭ Major | 1 | 6B | 105 BPM | ||
| Le sacre du printemps / Pt. 2: Le sacrifice: X. Cercles mysteriéux des adolescentes | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | F Minor | 1 | 4A | 84 BPM |