Hyperion Ensemble, Ruben Peloni's ' "Tango negro" was released on its scheduled release date, August 1, 2014. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 16 in the song's album "Remembranzas". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Germany. In terms of popularity, Tango negro is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Tango negro by Hyperion Ensemble, Ruben Peloni having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Trenzas | Orquesta Típica Andariega, Marisol Martinez | A Minor | 4 | 8A | 86 BPM | ||
| Vals para Mamá | Beata Söderberg, Cristian Zárate | F Major | 4 | 7B | 178 BPM | ||
| Caricias | Hugo Duval y Rodolfo Biaggi | E Minor | 2 | 9A | 121 BPM | ||
| String Sextet, Op. 45 (1924): IV. Molto Adagio | Erwin Schulhoff, Hyperion Ensemble, Annelie Gahl, Gunde Jäch-Micko, Firmian Lermer, Jörg Steinkrauß, Detlef Mielke, Astrid Sulz | G Major | 0 | 9B | 123 BPM | ||
| Gallo Ciego | La Juan D'Arienzo | F Major | 4 | 7B | 129 BPM | ||
| Derrotado | Roberto Florio, Orquesta Carlos di Sarli | A Major | 4 | 11B | 112 BPM | ||
| Mejor Asi | Carlos Libedinsky | D Minor | 4 | 7A | 146 BPM | ||
| Buscándote | Sexteto Milonguero | D Minor | 2 | 7A | 210 BPM | ||
| Viento Norte | Orquesta Tipica Victor | D Minor | 3 | 7A | 118 BPM | ||
| E.G.B - Una noche en la milonga | Orquesta Típica Misteriosa Buenos Aires | D Minor | 4 | 7A | 118 BPM | ||
| Llorar por una Mujer | Sexteto Milonguero | D Minor | 8 | 7A | 154 BPM | ||
| El Chamuyo | Orquesta Tipica Victor | G Minor | 3 | 6A | 119 BPM | ||
| Nossa | Amores Tangos | A Minor | 6 | 8A | 95 BPM | ||
| Delirio de la milonga | Hyperion Ensemble | E Minor | 4 | 9A | 102 BPM | ||
| Desde el Alma | Conjunto Berretin | B Minor | 5 | 10A | 182 BPM | ||
| Indiferencia | Pablo Valle Sexteto | E♭ Major | 2 | 5B | 131 BPM | ||
| Primavera porteña | Orquesta Color Tango De Roberto Alvarez | G Minor | 3 | 6A | 113 BPM | ||
| El huracán - Estilo Juan D´Arienzo | SEXTETO VISCERAL | G Major | 4 | 9B | 134 BPM | ||
| Duerme mi niña | Orquesta Rodolfo Biagi, Mario Canaro, Víctor Prestipino | A Minor | 3 | 8A | 120 BPM | ||
| Reliquias porteñas | Hyperion Ensemble | A♭ Major | 5 | 4B | 103 BPM | ||
| Caricias | Sexteto Cristal, Guillermo Rozenthuler | E Minor | 4 | 9A | 120 BPM | ||
| Lo Que Vieron Tus Ojos | Francisco Lomuto | D Major | 1 | 10B | 132 BPM | ||
| Ensueños | Sexteto Mayor | E Minor | 2 | 9A | 114 BPM | ||
| El Panuelito | Osvaldo Pugliese con Jorge Maciel | F♯ Major | 1 | 2B | 110 BPM | ||
| Fantasía en Tiempo de Tango | Orquesta Típica Sans Souci | D Major | 4 | 10B | 134 BPM |