Hyperion Ensemble's ' "Delirio de la milonga" was released on its scheduled release date, April 15, 2005. The duration of This song is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Delirio de la milonga's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 13 in Corso Buenos Aires by Hyperion Ensemble. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Delirio de la milonga is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Delirio de la milonga by Hyperion Ensemble is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Re Fa Si | La Juan D'Arienzo | A Major | 3 | 11B | 129 BPM | ||
| Llorar por una Mujer | Sexteto Milonguero | D Minor | 8 | 7A | 154 BPM | ||
| Ostinato | Carla Pugliese | D Minor | 8 | 7A | 160 BPM | ||
| Malena | Trio Hugo Diaz | C Minor | 2 | 5A | 119 BPM | ||
| Tango a Pugliese | Color Tango | D Minor | 2 | 7A | 109 BPM | ||
| Trenzas | Orquesta Típica Andariega, Marisol Martinez | A Minor | 4 | 8A | 86 BPM | ||
| Luna de arrabal - Estilo Ricardo Tanturi | SEXTETO VISCERAL | E Major | 4 | 12B | 98 BPM | ||
| El portenito | Ángel Villoldo, Trio Hugo Diaz | D Major | 3 | 10B | 119 BPM | ||
| Gallo Ciego | Color Tango | D Minor | 4 | 7A | 115 BPM | ||
| Milonga de Mis Amores | Trio Hugo Diaz | A Major | 6 | 11B | 118 BPM | ||
| Recuerdo Malevo | Orquesta Típica Tanturi, Roberto Malevo | A Minor | 0 | 8A | 85 BPM | ||
| Fantasía En Tango (Sobre Motivos De Brahms) | Orquesta Típica "Osmar Maderna" | G Minor | 4 | 6A | 129 BPM | ||
| Vuelvo al sur - Live | Antonella Ruggiero, Hyperion Ensemble | F Minor | 4 | 4A | 104 BPM | ||
| El huracan | Tango Bardo | G Minor | 6 | 6A | 142 BPM | ||
| El Flete | Juan D'Arienzo y su Orquesta Típica | A Major | 4 | 11B | 133 BPM | ||
| Sentimiento Gaucho | Francisco Lomuto | G Minor | 4 | 6A | 128 BPM | ||
| Seleccion De Milongas | Sexteto Mayor | A Minor | 3 | 8A | 114 BPM | ||
| La Cumparsita | La Juan D'Arienzo | G Minor | 2 | 6A | 134 BPM | ||
| Milonga al Toque | Trio Pantango | D Minor | 5 | 7A | 126 BPM | ||
| Oblivion | Hyperion Ensemble | C Minor | 2 | 5A | 81 BPM | ||
| Ensueños | Quinteto Ángel | E Minor | 3 | 9A | 103 BPM | ||
| Te Vas Milonga | Conjunto Berretin | E Minor | 4 | 9A | 87 BPM | ||
| El Chamuyo | Orquesta Tipica Victor | G Minor | 3 | 6A | 119 BPM | ||
| Cualquier Cosa | Domingo Federico | G Minor | 4 | 6A | 128 BPM | ||
| Mano Brava | Hyperion Ensemble | F Major | 6 | 7B | 110 BPM |