Trio Pantango's ' "Milonga al Toque" was released on its scheduled release date, March 26, 2013. The duration of This song is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Milonga al Toque's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Tango Argentino". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Milonga al Toque's popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Milonga al Toque by Trio Pantango having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pedacito de cielo, Romance de barrio, Un placer - Selección de valses estilo Aníbal Troilo | SEXTETO VISCERAL | A Major | 5 | 11B | 100 BPM | ||
| Samaritana | Los Provincianos | C Minor | 4 | 5A | 89 BPM | ||
| Milonga Vieja Milonga | Miguel Villasboas | C Minor | 7 | 5A | 104 BPM | ||
| Ella Es Asi (feat. Enrique "El Peru" Chavez) | The Alex Krebs Tango Sextet | D Major | 5 | 10B | 97 BPM | ||
| Para ti, madre | Trio Pantango | F♯ Minor | 2 | 11A | 97 BPM | ||
| Lechuza | Adolfo Berón | E Minor | 1 | 9A | 93 BPM | ||
| Ciudad tango | Fabio Hager Sexteto, Daniel Viacava, Pablo Araujo, Javier Waintraub, Damián González Gantes, Julián Arellano | D Minor | 7 | 7A | 116 BPM | ||
| Cabulero | Color Tango | C Major | 2 | 8B | 111 BPM | ||
| Özleyiş | Ortaç Aydınoğlu, TangEsta | E Minor | 4 | 9A | 136 BPM | ||
| Don Agustin Bardi | Daniel Colin, Claire Elzière, Dominique Cravic, Grégory Veux, Laurent Larcher | G Minor | 2 | 6A | 120 BPM | ||
| Chiqué | Orquesta Típica Sans Souci | G Minor | 3 | 6A | 129 BPM | ||
| Arrabal Amargo | Hugo Díaz | C Major | 5 | 8B | 103 BPM | ||
| Quejas de bandoneon (Arr. R. Jaurena) | Juan De Dios Filiberto, Trio Pantango | D Minor | 1 | 7A | 122 BPM | ||
| Milonga en la 31 | Aureliano Tango Club | A Minor | 6 | 8A | 100 BPM | ||
| Quiero Ser Tu Sombra | Trio Garufa | A Minor | 4 | 8A | 96 BPM | ||
| Yapeyú | Orquesta Silbando | F Minor | 4 | 4A | 136 BPM | ||
| Soledad | Trio Pantango | F♯ Minor | 1 | 11A | 197 BPM | ||
| Marión | Orquesta Típica Sans Souci | G Major | 3 | 9B | 123 BPM | ||
| Mariposita | Orquesta Típica Tanturi | E Minor | 4 | 9A | 101 BPM | ||
| Condena (S.O.S.) | Hyperion Ensemble, Ruben Peloni | E Minor | 3 | 9A | 129 BPM | ||
| Si Yo Pudiera Comprender | Orquesta Típica Sans Souci, Emiliano Castignola | C Minor | 3 | 5A | 123 BPM | ||
| Mi Buenos Aires Querida | Hugo Díaz | C Major | 4 | 8B | 103 BPM | ||
| Indiferencia | Pablo Valle Sexteto | E♭ Major | 2 | 5B | 131 BPM | ||
| Melancolico | Guillermo Destaillats, Rubin Saglia, Patricio Cotella, Trio Pantango | C Major | 2 | 8B | 116 BPM | ||
| Sur | Jose Luis Marina, Guillermo Destaillats, Rubin Saglia, Trio Pantango | C Major | 2 | 8B | 116 BPM |