- BPM
- 115
- Key
- A♭ Major
- Camelot
- 4B
All They That See Him, Laugh Him To Scorn - Live by George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra Song Details
George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra's ' "All They That See Him, Laugh Him To Scorn - Live" was released on its scheduled release date, January 1, 1987. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in George Frideric Handel, Andrew Davis's "Handel: Messiah" album is number 4 out of 54. On top of that, United States appears to be the country where this track was created. In terms of popularity, All They That See Him, Laugh Him To Scorn - Live is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
BPM and Tempo
We consider the tempo marking of All They That See Him, Laugh Him To Scorn - Live by George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra to be Moderato (at a moderate speed) because the track has a tempo of 115 BPM, a half-time of 58BPM, and a double-time of 230 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
Music Key
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 1%
- Loudness
- -25.442 dB
- Acousticness
- 87%
- Danceability
- 39%
- Energy
- 8%
- Instrumentalness
- 3%
- Liveness
- 58%
- Loudness
- 58%
- Speechiness
- 4%
- Valence
- 61%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | Ave Maria, CG 89a | Charles Gounod, Renée Fleming, Royal Philharmonic Orchestra, Andreas Delfs | F Major | 1 | 7B | 106 BPM | |
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 | Oratorio de Noël, Op. 12: Quintet and Chorus. Consurge, Filia Sion (Soprano 1, Soprano 2, Alto, Bass, Chorus) | Camille Saint-Saëns, Britt Marie Aruhn, Anne Sofie von Otter, Ingmari Landin, Erland Hagegård, Ulf Lundmark, Mikaeli Chamber Choir, Karin Langebo, Bengt Forsberg, Royal Opera Theater Orchestra, Anders Eby | D Major | 0 | 10B | 128 BPM | |
 | Surely, He Hath Borne Our Griefs - Live | George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra | F Minor | 1 | 4A | 55 BPM | |
 | Mass in C Minor, K. 427 "Grosse Messe": Laudamus Te | Wolfgang Amadeus Mozart, Sarah Connolly, Gabrieli, Paul McCreesh | C Major | 1 | 8B | 125 BPM | |
 | Verdi: Messa da Requiem: VII. Rex tremendae | Giuseppe Verdi, Riccardo Muti, Cheryl Studer, Coro Del Teatro Alla Scala Di Milano, Dolora Zajic, Luciano Pavarotti, Samuel Ramey, Orchestra Del Teatro Alla Scala, Milano | C Major | 2 | 8B | 114 BPM | |
 | Messiah, HWV 56: Part 1: Comfort ye my people (Accompagnato) | Nikolaus Harnoncourt | B♭ Major | 1 | 6B | 175 BPM | |
 | For Unto Us a Child Is Born | The Choir and Orchestra of Pro Christe | G Major | 3 | 9B | 105 BPM | |
 | Concerto grosso in G Minor, Op. 6 No. 8 "Christmas Concerto": II. Allegro | Arcangelo Corelli, The English Concert, Trevor Pinnock | F♯ Minor | 2 | 11A | 87 BPM | |
 | Messiah HWV56, PART 2: How beautiful are the feet (soprano air: Larghetto) | George Frideric Handel, Choir of King's College, Cambridge, Stephen Cleobury, Ailish Tynan | F♯ Minor | 1 | 11A | 105 BPM | |
 | Vesperae solennes de Confessore, K. 339: II. Confitebor tibi | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, John Constable, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | F Major | 2 | 7B | 98 BPM | |
 | Fasch: Trumpet Concerto in D Major, FWV L:D1: I. Allegro | Johann Friedrich Fasch, Alison Balsom, Pavlo Beznosiuk, Academy of Ancient Music | A♭ Major | 3 | 4B | 103 BPM | |
 | Puer natus in Bethlehem | Paul Siefert, Bart Jacobs | G Minor | 1 | 6A | 96 BPM | |
 | Vom Himmel hoch: I. Chor "Vom Himmel hoch, da komm ich her" | Felix Mendelssohn, Laurence Equilbey, Accentus, Orchestre de chambre de Paris | A Minor | 2 | 8A | 83 BPM | |
 | Messiah, HWV 56 / Pt. 2: 41. Air: Thou shalt break them | George Frideric Handel, Anthony Rolfe Johnson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | A♭ Minor | 1 | 1A | 115 BPM | |
 | Darzu ist erschienen der Sohn Gottes, BWV 40: Chorale: Dazu ist erschienen der Sohn Gottes | Johann Sebastian Bach, Katherine Fuge, Joanne Lunn, Robin Tyson, William Towers, James Gilchrist, Peter Harvey, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D♭ Major | 2 | 3B | 98 BPM | |
| Why Do The Nations So Furiously Rage Together - Live | George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra | G Major | 3 | 9B | 140 BPM | |
| Die Schöpfung Hob. XXI:2 / Erster Teil: 13. Chor mit Soli: Die Himmel erzählen die Ehre Gottes | Joseph Haydn, Gösta Winbergh, Kathleen Battle, Kurt Moll, Berliner Philharmoniker, James Levine, Stockholm Radio Chorus, Stockholm Chamber Choir, Gustav Sjökvist | C Major | 3 | 8B | 97 BPM | |
| Verdi: Messa da Requiem: X. Confutatis - Dies irae | Giuseppe Verdi, Riccardo Muti, Coro Del Teatro Alla Scala Di Milano, Samuel Ramey, Orchestra Del Teatro Alla Scala, Milano | E Major | 2 | 12B | 164 BPM | |
 | Service, 2. First Lesson (Genesis 3) | Anonymous, Timothy Boarer | A♭ Major | 1 | 4B | 86 BPM | |
 | Mozart: Mass No. 15 in C Major, K. 317 "Coronation Mass": VI. Agnus Dei | Wolfgang Amadeus Mozart, Peter Neumann, Christoph Prégardien, Franz-Josef Selig, Kölner Kammerchor, Patrizia Kwella, Ulla Groenewold, Collegium Cartusianum | F Major | 1 | 7B | 87 BPM | |
 | Missa brevis In C, K.220 "Spatzenmesse": 6. Agnus Dei | Wolfgang Amadeus Mozart, Edith Mathis, Tatiana Troyanos, Horst Laubenthal, Kieth Engen, Bavarian Radio Symphony Orchestra, Rafael Kubelík, Regensburger Domspatzen, Hans Schrems | F Major | 1 | 7B | 87 BPM | |
 | Requiem, K. 626: IIIb. Tuba mirum | Wolfgang Amadeus Mozart, Anne Sofie von Otter, Susan Addison, Barbara Bonney, Hans Peter Blochwitz, Willard White, English Baroque Soloists, John Eliot Gardiner | B♭ Major | 1 | 6B | 85 BPM | |
 | Messiah: Part 2, Surely He hath borne our griefs (Chorus) | The Sixteen | E Minor | 3 | 9A | 115 BPM |
- ISRC
- USAR28701090
- Label
- L-M Records/RCA Records