Variations on a Rococo Theme, Op. 33, TH 57: Variazione V: Allegro moderato by Pyotr Ilyich Tchaikovsky, Mischa Maisky, Orpheus Chamber Orchestra Song Details

"Variations on a Rococo Theme, Op. 33, TH 57: Variazione V: Allegro moderato" by Pyotr Ilyich Tchaikovsky, Mischa Maisky, Orpheus Chamber Orchestra had its release date on January 1, 1997. With This song being less than two minutes long, at 1:25, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 17 in the song's album "Tchaikovsky: Rococo Variations; Souvenir de Florence; Lensky's Aria From "Eugen Onegin"; Nocturne In D Minor (From Op. 19, No. 4); Andante Cantabile, Op. 11". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Germany. Variations on a Rococo Theme, Op. 33, TH 57: Variazione V: Allegro moderato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Variations on a Rococo Theme, Op. 33, TH 57: Variazione V: Allegro moderato by Pyotr Ilyich Tchaikovsky, Mischa Maisky, Orpheus Chamber Orchestra having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Music Key

This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 7%
Loudness: -16.227 dB
Acousticness: 96%
Danceability: 17%
Energy: 24%
Instrumentalness: 15%
Liveness: 11%
Loudness: 73%
Speechiness: 5%
Valence: 6%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
The Four Seasons: Concerto No. 2 in G Minor, RV 315 "L'estate" (summer): III. Presto	Antonio Vivaldi, Adrian Chandler, La Serenissima	G Major	5	9B	157 BPM
Symphony No. 6 in B Minor, Op. 74, TH 30 "Pathétique": IV. Finale. Adagio lamentoso - Andante	Pyotr Ilyich Tchaikovsky, Czech Philharmonic, Semyon Bychkov	B Minor	1	10A	106 BPM
The Sleeping Beauty, Op. 66/66a: Act 1, No. 8, Adagio – Pas d’Action - Arr. for Orchestra by Santtu-Matias Rouvali	Pyotr Ilyich Tchaikovsky, Philharmonia Orchestra, Santtu-Matias Rouvali	E♭ Major	1	5B	109 BPM
8 Slavonic Dances, Op.46, B.83: No.1 in C (Presto)	Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek	G Major	2	9B	106 BPM
Shéhérazade, Op. 35: III. The Young Prince and the Young Princess	Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino	G Major	0	9B	103 BPM
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): II. Danse des hommes	Alexander Borodin, Anima Eterna, Jos Van Immerseel	A Major	0	11B	87 BPM
Die Walküre, Act III: Ride of the Valkyries	Richard Wagner, Budapest Symphony Orchestra, György Lehel	D♭ Major	1	3B	72 BPM
Don Quixote: Act III: Coda	Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov	G Major	3	9B	75 BPM
Die Fledermaus: Overture	Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan	B Minor	1	10A	97 BPM
Ruses d'amour, Op. 61	Alexander Glazunov, State Academic Symphony Orchestra, Yevgeny Svetlanov	E♭ Major	1	5B	130 BPM
Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement)	Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov	C Major	1	8B	104 BPM
Jeux D'Eau	Maurice Ravel, André Laplante	A Major	1	11B	128 BPM
Prince Igor: Polovtsian Dances (Version for Chorus)	Alexander Borodin, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar	A Major	2	11B	110 BPM
Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King	Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan	D♭ Major	1	3B	92 BPM
Gold Und Silber (Gold And Silver), Op. 79	Slovak Radio Symphony Orchestra, Franz Lehár	C Major	1	8B	81 BPM
Carmen Suite No.2: 5. Danse bohème	Georges Bizet, Orchestre de Paris, Semyon Bychkov	E Major	1	12B	142 BPM
Giselle, Act 1: No. 3 Giselle’s Entrance, Giselle and Albrecht first meet and are discovered by Hilarion	Adolphe Adam, Tasmanian Symphony Orchestra, Nicolette Fraillon	E♭ Major	1	5B	88 BPM
Chopin: Minute Waltz	Frédéric Chopin, Lang Lang	D♭ Major	0	3B	67 BPM
Warsaw Concerto	Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff	B Major	1	1B	76 BPM
Serenade in C Major, Op. 48: II. Walzer	Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont	G Major	2	9B	180 BPM
Souvenir d'un lieu cher, Op. 42: 3. Mélodie	Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding	E♭ Major	0	5B	99 BPM
Toccata and Fugue in D minor	Johann Sebastian Bach, William McVicker	D Minor	0	7A	72 BPM
An der schönen blauen Donau, Waltz, Op. 314	Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan	D Major	0	10B	95 BPM
Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato	Sergei Rachmaninoff, Khatia Buniatishvili, Paavo Järvi, Czech Philharmonic	C Minor	1	5A	79 BPM
Symphony No. 5: IV. Adagietto. Sehr langsam	Gustav Mahler, Wiener Philharmoniker, Pierre Boulez	F Major	0	7B	87 BPM