"Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato" by Sergei Rachmaninoff, Khatia Buniatishvili, Paavo Järvi, Czech Philharmonic had its release date on March 10, 2017. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 6 in the song's album "Rachmaninoff: Piano Concerto No. 2 in C Minor, Op. 18 & Piano Concerto No. 3 in D Minor, Op. 30". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato by Sergei Rachmaninoff, Khatia Buniatishvili, Paavo Järvi, Czech Philharmonic having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Miroirs: III. Une barque sur l'océan | Maurice Ravel, André Laplante | D Major | 0 | 10B | 76 BPM | ||
| Symphony No. 8 in G Minor, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 130 BPM | ||
| 24 Preludes, Op. 11: No. 11 in B Major. Allegro assai | Alexander Scriabin, Yuja Wang | B Major | 0 | 1B | 67 BPM | ||
| 6 Pezzi, P. 44: No. 1. Valse Caressante | Ottorino Respighi, Konstantin Scherbakov | E♭ Major | 1 | 5B | 70 BPM | ||
| Le maître et l'élève, Op. 96: No. 2, Moment musical | Moritz Moszkowski, Antony Gray, Nickush Bhudia | F Minor | 1 | 4A | 100 BPM | ||
| Come, Sweet Death | Johann Sebastian Bach, Eugene Ormandy, Philadelphia Orchestra | E Minor | 1 | 9A | 87 BPM | ||
| Barber: Adagio for Strings | Samuel Barber, Sir Simon Rattle, Berliner Philharmoniker | B♭ Minor | 1 | 3A | 73 BPM | ||
| Lieder ohne Worte (Songs without Words), Book 2, Op. 30: No. 7 in E-Flat Major, Op. 30, No. 1, MWV U103 | Felix Mendelssohn, Péter Nagy | E♭ Major | 0 | 5B | 65 BPM | ||
| Sonata No. 42 in D Minor (Arr. Ólafsson) | Domenico Cimarosa, Víkingur Ólafsson | D Minor | 0 | 7A | 61 BPM | ||
| Liebesleid, Old Viennese Dance No. 2 | Fritz Kreisler, Joshua Bell, Paul Coker | A Major | 1 | 11B | 74 BPM | ||
| Kinderszenen, Op. 15: No. 1, Von fremden Ländern und Menschen | Robert Schumann, Vladimir Horowitz | G Major | 0 | 9B | 70 BPM | ||
| Peer Gynt Suite No.1 op. 46 Death of Aase (Andante doloroso) | Academy of St. Martin in the Fields | G Major | 0 | 9B | 109 BPM | ||
| Serenade | Jairos | C Major | 2 | 8B | 118 BPM | ||
| Piano Quintet in C Minor: I. Andante | Alexander Borodin, Ilona Prunyi, New Budapest Quartet | C Minor | 1 | 5A | 68 BPM | ||
| Variations on an Original Theme, Op. 36, "Enigma": Enigma | Edward Elgar, Bournemouth Symphony Orchestra, George Hurst | C Major | 5 | 8B | 132 BPM | ||
| 1st Movement: Adaggio / Allegro Molto | London Philharmonic Orchestra | E Minor | 1 | 9A | 116 BPM | ||
| Piano Concerto in A Minor, Op. 16: II. Adagio - Remastered | Edvard Grieg, Arthur Rubinstein, RCA Victor Symphony Orchestra, Alfred Wallenstein | D♭ Major | 0 | 3B | 86 BPM | ||
| Nocturnes, Op. 9: No. 1 in B flat major. Larghetto | Frédéric Chopin, Brigitte Engerer | B♭ Minor | 0 | 3A | 72 BPM | ||
| Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
| Brook Green Suite: II. Air | Gustav Holst, English Sinfonia, Howard Griffiths | E♭ Major | 0 | 5B | 128 BPM | ||
| Introduction and Rondo capriccioso in A Minor | Camille Saint-Saëns, Dong-Suk Kang, Polish National Radio Symphony Orchestra, Antoni Wit | A Minor | 1 | 8A | 91 BPM | ||
| Elgar: Salut d'amour, Op. 12 | Edward Elgar, Min Kym, Gordon Back | E Major | 1 | 12B | 86 BPM | ||
| Deux Arabesques, L66: No. 1: Andantino con moto | Claude Debussy, Kathryn Stott | E Major | 0 | 12B | 73 BPM | ||
| 24 Preludes, Op. 11: No. 15 in D-Flat Major | Alexander Scriabin, Evgeny Zarafiants | D♭ Major | 0 | 3B | 70 BPM | ||
| Elegie in E-Flat Minor, Op. 3, No. 1 | Sergei Rachmaninoff | E♭ Minor | 1 | 2A | 68 BPM |