- BPM
- 171
- Key
- D Major
- Camelot
- 10B
Last Known Position by John Scott Song Details
"Last Known Position" by John Scott had its release date on April 21, 2002. The duration of This song is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Last Known Position's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 15 in Final Countdown (Original Motion Picture Soundtrack) by John Scott. The popularity of Last Known Position is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Last Known Position by John Scott is Vivace (lively and fast), since this song has a tempo of 171 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
Music Key
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 3%
- Loudness
- -15.093 dB
- Acousticness
- 80%
- Danceability
- 14%
- Energy
- 14%
- Instrumentalness
- 89%
- Liveness
- 13%
- Loudness
- 75%
- Speechiness
- 3%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Magnificat (Short Service) | Orlando Gibbons, Oxford Camerata, Jeremy Summerly | A♭ Major | 1 | 4B | 97 BPM | |
 | Chichester Psalms: III. Psalm 131, Adonai, Adonai - Psalm 133:1, Hineh mah tov | Leonard Bernstein, Thomas Kelly, Elizabeth Franklin-Kitchen, Victoria Nayler, Jeremy Budd, Paul Charrier, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Marin Alsop | G Major | 0 | 9B | 83 BPM | |
 | Psalm 28 "Ad te, Domine" | Edward John Hopkins, Andrew Lucas, John Scott, St. Paul's Cathedral Choir | B♭ Major | 1 | 6B | 75 BPM | |
 | Grand Choeur Dialogue (Arr. S. McIntosh for Organ & Brass Ensemble) | Eugène Gigout, Saint Thomas Brass, John Scott | D Major | 1 | 10B | 84 BPM | |
 | Praise Our Lord All Ye Gentiles | William Byrd, John Scott, St. Paul's Cathedral Choir | E♭ Major | 0 | 5B | 84 BPM | |
 | Psalm 96 - "O Sing Unto The Lord A New Song" | Charles Villiers Stanford, Choir of St. John's College, Cambridge, John Scott, George Guest | E♭ Major | 2 | 5B | 117 BPM | |
 | Psalm 150: O Praise God In His Holiness (Talbot (Sung In Procession Out Of The Nave)) | St. Thomas Choir Of Men And Boys, Gerre Hancock | B♭ Major | 0 | 6B | 88 BPM | |
 | Bard's Eye View: I. O mistress mine | John Rutter, Franck, Graham Ross, Choir of Clare College, Cambridge, Dmitri Ensemble | B♭ Major | 1 | 6B | 128 BPM | |
 | Teach Me, O Lord | Thomas Attwood, John Scott, St. Paul's Cathedral Choir, Andrew Lucas | E♭ Major | 1 | 5B | 73 BPM | |
 | No Small Wonder | The Concord Singers | E Minor | 0 | 9A | 68 BPM | |
 | Mass of the Transfiguration: III. Gospel Acclamation | Normand Gouin, David L. Ball, Diocesan Choir, Diocesan Children's Choir, Cathedral English Choir, Cathedral Schola, Cathedral Spanish Choir, Cathedral Vietnamese Choir, John A. Romeri | A Minor | 2 | 8A | 64 BPM | |
 | On Jordan's Bank the Baptist Cry | Roger Wilcock & The London Fox Players | B♭ Major | 2 | 6B | 81 BPM | |
| Psalm 92 "Bonum est confiteri" | William Crotch, St. Paul's Cathedral Choir, John Scott, Andrew Lucas | A Major | 2 | 11B | 127 BPM | |
| Psalm 119: Verses 105-112 "Lucerna pedibus meis" | Frederick Arthur Gore Ouseley, Huw Williams, John Scott, St. Paul's Cathedral Choir | F Minor | 0 | 4A | 70 BPM | |
 | Eric Whitacre: Lux aurumque | Eric Whitacre, Schola Cantorum, Tone Bianca Sparre Dahl | D♭ Minor | 1 | 12A | 69 BPM | |
 | Quatre Motets sur des thèmes grégoriens pour choeur a cappella, Op.10: I. Ubi caritas | Maurice Duruflé, Mauruce Duruflé, Houston Chamber Choir, Robert Simpson | E♭ Major | 1 | 5B | 88 BPM | |
| Psalm 142 "Voce mea ad Dominum" | Charles Hylton Stewart, St. Paul's Cathedral Choir, John Scott, Huw Williams | E Major | 2 | 12B | 66 BPM | |
 | Each Winter as the Year Grows Older (Arr. R. Hobby) | Annabeth Gay, Choir of First-Plymouth Congregation Church, Tom Trenney, Jeremy Bankson | G Minor | 1 | 6A | 61 BPM | |
 | They that go down to the sea in ships | Herbert Sumsion, Michael Bloss, Choir of St John's, Elora, Noel Edison | F♯ Minor | 0 | 11A | 62 BPM | |
 | St Anne’s Mass: III. Sanctus | James MacMillan, Cappella Nova, Alan Tavener | D Major | 1 | 10B | 76 BPM | |
| Psalm 70 "Deus, in adiutorium" | William Hine, Henry Aldrich, St. Paul's Cathedral Choir, Andrew Lucas, John Scott | A Major | 1 | 11B | 134 BPM | |
 | Ecce concipies | Jacobus Gallus, St. Paul's Cathedral Choir, John Scott | E♭ Major | 1 | 5B | 78 BPM | |
 | Morgensang | Niels Wilhelm Gade, Danish National Symphony Choir, Jesper Grove Jørgensen | G Major | 0 | 9B | 132 BPM | |
| Tribus miraculis | Luca Marenzio, John Scott, St. Paul's Cathedral Choir | A♭ Major | 1 | 4B | 116 BPM | |
 | O Radiant Dawn | James MacMillan, Choir of Merton College, Oxford, Benjamin Nicholas | C Minor | 2 | 5A | 68 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records