Mohammed Rafi's ' "Yeh Zindagi Ke Mele" was released on its scheduled release date, January 1, 1948. The duration of This song is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Yeh Zindagi Ke Mele's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Naushad, Shakeel Badayuni's "Mela" album is number 11 out of 12. On top of that, India appears to be the country where this track was created. In terms of popularity, Yeh Zindagi Ke Mele is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Yeh Zindagi Ke Mele by Mohammed Rafi to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Babul Mora Naihar Chhute Jaye | K. L. Saigal | E Major | 3 | 12B | 130 BPM | ||
| Rim Jhim Ke Geet | Lata Mangeshkar, Mohammed Rafi, Laxmikant–Pyarelal | A Minor | 3 | 8A | 150 BPM | ||
| Nuktacheen Hai Ghame Dil | K. L. Saigal | F Major | 2 | 7B | 70 BPM | ||
| Dil Tera Diwana Hai Sanam | Lata Mangeshkar, Mohammed Rafi | D Minor | 8 | 7A | 120 BPM | ||
| Jeeye to Jeeye Kaise (From "Saajan") | Pankaj Udhas | C Major | 5 | 8B | 129 BPM | ||
| Chali Chali Re Patang | Lata Mangeshkar, Mohammed Rafi | E♭ Major | 5 | 5B | 106 BPM | ||
| Mere Mitwa Mere Meet Re | Mohammed Rafi, Kalyanji-Anandji | G Major | 4 | 9B | 155 BPM | ||
| Dil Gaya Tum Ne Liya | Noor Jehan | A Major | 5 | 11B | 148 BPM | ||
| Yari Hai Imaan Mera | Manna Dey, Kalyanji-Anandji | A♭ Major | 5 | 4B | 106 BPM | ||
| Ankhiyan Milake - Zohrabai Ambalawali | Zohrabai Ambalawali | C Major | 4 | 8B | 114 BPM | ||
| Tu Kahan Ye Bata | Mohammed Rafi, S. D. Burman | F♯ Minor | 6 | 11A | 169 BPM | ||
| Jayen to Jayen Kahan (From "Taxi Driver") | Talat Mahmood, S. D. Burman | A♭ Major | 3 | 4B | 74 BPM | ||
| Tujhe Pyar Karte Hain | Suman Kalyanpur, Mohammed Rafi | F Major | 5 | 7B | 100 BPM | ||
| Hum Tere Shahar Me Aaye Hai | Ghulam Ali | B♭ Minor | 6 | 3A | 109 BPM | ||
| Aao Mil Jaye - Prem Geet / Soundtrack Version | Anuradha Paudwal, Suresh Wadkar | B♭ Major | 4 | 6B | 119 BPM | ||
| Neele Gagan Ke Tale | Mahendra Kapoor | F♯ Major | 4 | 2B | 109 BPM | ||
| Yeh Ab Aap Sochiye | Asha Bhosle, Mohammed Rafi | F Major | 3 | 7B | 144 BPM | ||
| Afsana Likh Rahi Hoon | Uma Devi | E♭ Major | 3 | 5B | 79 BPM | ||
| Dekho Mera Dil Machal Gaya | Sharada, Shailendra | A Major | 7 | 11B | 130 BPM | ||
| Teri Ulfat Main Sanam | Zubaida Khanum | F Major | 3 | 7B | 82 BPM | ||
| Sun Ke Teri Pukar | Hemlata | E Major | 3 | 12B | 88 BPM | ||
| Jis Raat Ke Khwab Aaye - Habba Khaatoon | Naushad, Mohammed Rafi | D Major | 8 | 10B | 162 BPM | ||
| Chandni Raaten (From "Dopatta") | Noor Jehan | A Major | 3 | 11B | 80 BPM | ||
| Been Music From The Film-Nagin | Ravi, Kalyanji Virji Shah, Hemant Kumar | F Minor | 4 | 4A | 110 BPM | ||
| Ye Raten Ye Mausam | Kishor Tewary | F♯ Major | 3 | 2B | 123 BPM |