"Vocalizzo" by Riccardo Zandonai, Margherita Guarino, Stefano Guarino had its release date on July 1, 2014. The duration of This song is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Vocalizzo's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 29 in the song's album "Riccardo Zandonai: Musica da camera e per piccola orchestra". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Italy. Based on our statistics, Vocalizzo's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Vocalizzo by Riccardo Zandonai, Margherita Guarino, Stefano Guarino having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Il Barbiere di Siviglia, Act I, Scene One: Ecco ridente in cielo (Conte) | Gioachino Rossini, Alceo Galliera, Philharmonia Orchestra & Chorus, Luigi Alva | C Major | 1 | 8B | 130 BPM | ||
| O Mio Babbini Caro | Sumi Jo | G Major | 2 | 9B | 79 BPM | ||
| Gianni Schicchi: "Quale aspetto sgomento e desolato!" | Giacomo Puccini, Leo Nucci, Roberto Alagna, Mirella Freni, Ricardo Cassinelli, Ewa Podles, Barbara Frittoli, Barbara Guerrini, Giorgio Giorgetti, Enrico Fissore, Orazio Mori, Nicoletta Curiel, Coro Di Voci Bianchi "Guido Monaco" Di Prato, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | D♭ Major | 2 | 3B | 138 BPM | ||
| La Sonnambula / Act 1: D'un pensiero e d'un accento | Vincenzo Bellini, Dame Joan Sutherland, Sylvia Stahlman, Margreta Elkins, Nicola Monti, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Richard Bonynge | E♭ Major | 3 | 5B | 82 BPM | ||
| Peter Grimes, Op.33 / Act 1: "Look, the Storm Cone!" | Benjamin Britten, James Pease, Geraint Evans, Raymond Nilsson, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden | B♭ Major | 4 | 6B | 91 BPM | ||
| Puccini: Tosca, Act 2: "Orsù, Tosca, parlate" (Scarpia, Tosca, Cavaradossi) | Giacomo Puccini, Tito Gobbi, Giuseppe Di Stefano, Orchestra Del Teatro Alla Scala, Milano, Victor de Sabata | C Major | 2 | 8B | 111 BPM | ||
| Cavalleria rusticana: Pt. I: Dite, mamma Lucia (Santuzza, Lucia) | Pietro Mascagni, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Anna Maria Canali, Ebe Ticozzi, Vittore Veneziani, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | E Minor | 1 | 9A | 81 BPM | ||
| Francesca da Rimini, Act IV: Perchè tanto sei strano? (Live) | Riccardo Zandonai, Leyla Gencer, Orchestra del Teatro Lirico Giuseppe Verdi di Trieste, Mario Ferrara, Franco Capuana | G Minor | 0 | 6A | 139 BPM | ||
| Strauss, R: Der Rosenkavalier, Op. 59, Act I: "Di rigori armato il seno" (Singer) | Richard Strauss, Herbert von Karajan, Nicolai Gedda, Philharmonia Orchestra | D♭ Major | 1 | 3B | 71 BPM | ||
| Francesca da Rimini, Op. 4, Act III, Scene 5: Marzo è giunto, e febbraio gito se n'è col ghiado (Garsenda, Biancofiore, Adonella, Altichiara, Francesca) | Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova, Tunde Franko, Anita Bader, Jaroslava Horska, Jolana Fogasova | D♭ Major | 2 | 3B | 123 BPM | ||
| Soy Dalí Excerpt | Hermanos Ferrando, Ignacio Ferrando, Jorge Ferrando | B♭ Major | 1 | 6B | 112 BPM | ||
| Manon Lescaut / Act 2: Minuetto | Giacomo Puccini, Anthony Laciura, Giuseppe Taddei, Mirella Freni, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | D Major | 0 | 10B | 146 BPM | ||
| Cendrillon: Faites-vous très belles | Jules Massenet, Philharmonia Orchestra, Julius Rudel | B♭ Major | 1 | 6B | 115 BPM | ||
| Don Pasquale, Act II Quinta Scena: Siete marito e moglie (Malatesta/Notaro/Norina/Pasquale/Ernesto) | Gaetano Donizetti, Leo Nucci/Guido Fabbris/Mirella Freni/Sesto Bruscantini/Gösta Winbergh/Philharmonia Orchestra/Riccardo Muti, Riccardo Muti, Philharmonia Orchestra | C Major | 2 | 8B | 63 BPM | ||
| Conchita: Ave Maria | Riccardo Zandonai, Lisa Houben, David Banos Marin, Camilla Antonini, Gabriela Aleo, Filippo Arlia, Orchestra Filarmonica della Calabria, Francesco Costa, Coro Lirico Siciliano | D♭ Major | 2 | 3B | 139 BPM | ||
| Linda di Chamounix, A. 62, Act I Scene 3: Ah! Tardai troppo | Gaetano Donizetti, Jessica Pratt, Orchestra del Maggio Musicale Fiorentino, Michele Gamba | D♭ Major | 0 | 3B | 141 BPM | ||
| Gounod: Faust, Act 3: Couplets. "Faites-lui mes aveux" (Siebel) | Charles Gounod, Michel Plasson, Martine Mahé, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Lucia di Lammermoor / Act 1: Quando rapito in estasi | Gaetano Donizetti, Nadine Sierra, Veta Pilipenko, Orchestra Sinfonica Nazionale della Rai, Riccardo Frizza | E♭ Major | 3 | 5B | 96 BPM | ||
| Cavalleria rusticana: "Oh! Il Signore vi manda" (Duetto) | Pietro Mascagni, Fiorenza Cossotto, Gian Giacomo Guelfi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | E Minor | 2 | 9A | 103 BPM | ||
| Cavalleria rusticana: A casa, a casa | Pietro Mascagni, Adriane Martino, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | B♭ Major | 3 | 6B | 74 BPM | ||
| Tosca, Act I: E buona la mia Tosca | Giacomo Puccini, Jonathan Tetelman, Giorgi Manoshvili, Orchestra dell'Accademia Nazionale di Santa Cecilia, Daniel Harding | E♭ Minor | 3 | 2A | 135 BPM | ||
| Don Pasquale - What an Interminable Coming and Going | Gaetano Donizetti, Chor der Deutschen Staatsoper Berlin, Staatskapelle Berlin, Otmar Suitner | B♭ Major | 1 | 6B | 139 BPM | ||
| Donizetti: Lucia di Lammermoor, Act I Scene 2: Quando rapito in estasi (Lucia, Alisa) | Gaetano Donizetti, Orchestra del Teatro Bellini di Catania, Fabrizio Maria Carminati, Lisette Oropesa, Irene Savignano | D Major | 2 | 10B | 141 BPM | ||
| La pícara molinera, Act II: "Mi locura… Paxarín, tú que vuelas" (Juan) | Pablo Luna, Orquesta Juvenil Sinfonía por el Perú, Guillermo García Calvo, Juan Diego Flórez | D♭ Major | 1 | 3B | 68 BPM | ||
| L'elisir d'amore: Prendi per me sei libero | Gaetano Donizetti, Olga Peretyatko, Miguel Gomez-Martinez | F Major | 4 | 7B | 143 BPM |