"Silk Touch (B)" by Robert Howes, Rod Argent had its release date on January 1, 1984. With This song being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Robert Howes, Rod Argent's "Kpm 1000 Series: Second Sight" album is number 4 out of 20. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Silk Touch (B)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Silk Touch (B) by Robert Howes, Rod Argent to be Allegro (fast, quick, and bright) because the track has a tempo of 121 BPM, a half-time of 60BPM, and a double-time of 242 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gentle Giants | Robert Howes, Rod Argent | C Major | 5 | 8B | 80 BPM | ||
| Avanzando Con Firmeza | Senderos Del Destino | B♭ Major | 2 | 6B | 140 BPM | ||
| Das Rheingold: Scene 1: Vorspiel | Richard Wagner, Albert Dohmen, Ralf Lukas, Clemens Bieber, Arnold Bezuyen, Andrew Shore, Gerhard Siegel, Kwangchul Youn, Hans-Peter Konig, Michelle Breedt, Edith Haller, Christa Mayer, Fionnuala McCarthy, Ulrike Helzel, Simone Schroder, Bayreuth Festival Orchestra, Christian Thielemann | A♭ Major | 0 | 4B | 69 BPM | ||
| Pastal Shades | Robert Howes, Barbara Courtney-King, William McGillivray, Steve Davies | A Minor | 1 | 8A | 70 BPM | ||
| March - From "A Clockwork Orange" | Mark Ayres | D Major | 3 | 10B | 120 BPM | ||
| Aguirre III | Popol Vuh | B♭ Major | 5 | 6B | 149 BPM | ||
| Pale Horizon | Rod Argent, Robert Howes | C Major | 4 | 8B | 112 BPM | ||
| Pensiveness | Madd at the World | C Major | 5 | 8B | 178 BPM | ||
| hear the call | TOM AVA | F Major | 1 | 7B | 114 BPM | ||
| Quiet Forestway | Valei Noss | E♭ Minor | 4 | 2A | 99 BPM | ||
| Found Myself In My Dreams | Fiona Ubong | F♯ Major | 0 | 2B | 67 BPM | ||
| A Walk on the Wet Grass | Nadyia Lvov | C Major | 4 | 8B | 77 BPM | ||
| La Grandeza del Destino | Senderos Del Destino | B♭ Major | 2 | 6B | 140 BPM | ||
| 4 Letzte Lieder, TrV 296: No. 4, Im Abendrot | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | B♭ Major | 1 | 6B | 78 BPM | ||
| No Condemnation | Marc Ezenge | D♭ Major | 1 | 3B | 133 BPM | ||
| Infinity | PHT Édöm | F Major | 6 | 7B | 112 BPM | ||
| TEMPLE OF THE GOLDEN PAVILION ("like some enormous music") | Philip Glass, Kronos Quartet, Michael Riesman | E♭ Major | 0 | 5B | 137 BPM | ||
| The Long Walk Home | ALE TRIP, OLYMPE ANNE DEPOLIGNAC | F♯ Major | 2 | 2B | 138 BPM | ||
| Das Rheingold: Vorspiel | Richard Wagner, Frankfurter Opern- und Museumsorchester, Sebastian Weigle | D Major | 0 | 10B | 179 BPM | ||
| Barrier Reef (A) | Rod Argent, Robert Howes | F Minor | 1 | 4A | 66 BPM | ||
| Funeral Sentences For Queen Mary: In The Midst Of Life | Timothy Brown, William Carter, Baroque Brass Of London, Jan Schlapp, Mark Bennet, Keri Dexter, Tim Handley, Nicholas Parker, Marshall Marcus, Ron Bryans, Robert Howes, Andrew Manze, Liz Kenny, Micheal Laird, Jonathan Brown, Choir of Clare College, Cambridge, Nicholas Parker, Tim Handley, Jenny Ward-Clarke, Henry Purcell, Crispian Steele-Perkins | C Minor | 0 | 5A | 88 BPM | ||
| Julia's Theme | Geoffrey Burgon | C Major | 1 | 8B | 68 BPM | ||
| Sanctum of the Hidden Echoes | Arjun Tara | A Minor | 0 | 8A | 69 BPM | ||
| Last Days, Act 1, Scene 3: Blake Listens to Opera | Oliver Leith, Jack Sheen, 12 Ensemble, GBSR Duo | E♭ Minor | 1 | 2A | 83 BPM | ||
| The Prodigal Son (feat. Robert Howes) | Alan Titchmarsh, Robert Howes | F Minor | 2 | 4A | 133 BPM |