"SAS S2 Sparring" by Wayne Roberts had its release date on February 21, 2021. The duration of This song is about 3 minutes long, at 3:15. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 20 in the song's album "SAS: Who Dares Wins Season 2 (Original Series Soundtrack)". In this album, this song's track order is #3. In terms of popularity, SAS S2 Sparring is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With SAS S2 Sparring by Wayne Roberts having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
The music key of this track is D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Take Me To The Water | Universal Production Music | F♯ Major | 3 | 2B | 78 BPM | ||
| Knew I'd Find You Here | Sam Clines, Caleb Harris | D♭ Major | 3 | 3B | 88 BPM | ||
| Thunder | RY X | G Minor | 2 | 6A | 53 BPM | ||
| Look Up To The Stars | Neon Streams, Anne Marie Almedal | A♭ Minor | 3 | 1A | 125 BPM | ||
| Pockets of Light - Excerpt | Lubomyr Melnyk | G Major | 2 | 9B | 113 BPM | ||
| Desolate Paths | Wayne Roberts | C Minor | 3 | 5A | 100 BPM | ||
| Flash | Joan As Police Woman | B♭ Major | 4 | 6B | 117 BPM | ||
| Wish We Had More Time | Alice Boman | B♭ Major | 2 | 6B | 120 BPM | ||
| We Are Strong | Jonathan Buchanan, Michael Lister | B Major | 7 | 1B | 90 BPM | ||
| Devil's Inside | The Fake Arts, Matthew Simon Clark | A♭ Major | 5 | 4B | 140 BPM | ||
| Splendid Soldiers | Alev Lenz | C Major | 3 | 8B | 132 BPM | ||
| Vengeance (Lyrical Mix) | Zack Hemsey | A♭ Major | 4 | 4B | 80 BPM | ||
| SAS S5 Exposure Intro | Wayne Roberts | F♯ Major | 9 | 2B | 123 BPM | ||
| Cage | Ed Carlsen | A Minor | 3 | 8A | 135 BPM | ||
| Heaven Must Be Falling - From "Exit" | Tim Scott McConnell | B Minor | 4 | 10A | 84 BPM | ||
| Cloud Chaser | Jill Andrews | B♭ Major | 5 | 6B | 120 BPM | ||
| Remains | Algiers | D♭ Major | 5 | 3B | 180 BPM | ||
| Wandering Girl | Future Royalty | F♯ Minor | 4 | 11A | 80 BPM | ||
| Mom’s Got Work | Adam Taylor | A Minor | 4 | 8A | 174 BPM | ||
| Grooving Along | Hamish Balfour-Paul, Wayne Roberts | D♭ Major | 2 | 3B | 108 BPM | ||
| Thicker Than Water (Theme Song) | Fleshquartet | C Minor | 4 | 5A | 100 BPM | ||
| Rise Amongst The Fallen | Lana McDonagh, Wayne Anthony Murray, Andrew Michael Britton, Michael Edward Rowe | G Minor | 3 | 6A | 110 BPM | ||
| All I Need Is To Be Free | Homegrown, Richard Ram | E♭ Major | 3 | 5B | 111 BPM | ||
| Requiem for a Private War | Annie Lennox | A Minor | 1 | 8A | 110 BPM | ||
| When the Darkness Comes | Marie Gallo | C Major | 0 | 8B | 109 BPM |