Anonymous, La Reverdie's ' "Ich was ein Chint so wolgetan" was released on its scheduled release date, December 31, 1997. The duration of This song is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Ich was ein Chint so wolgetan's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 20 in Bestiarium by La Reverdie. Going off of the ISRC code of this track, we detected that the origin of this track is from Mexico. Based on our statistics, Ich was ein Chint so wolgetan's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Ich was ein Chint so wolgetan by Anonymous, La Reverdie is Allegro (fast, quick, and bright), since this song has a tempo of 142 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Today the Virgin / Дева днесь, Сербский распев | Divna Ljubojevic | F Major | 1 | 7B | 103 BPM | ||
| Limu Limu Lima | Sofia Söderberg, VOS Vocal Ensemble, Robert Bennesh | B Major | 1 | 1B | 137 BPM | ||
| Lord, Now Lettest Thou Thy Servant Depart | Pavel Chesnokov, PaTRAM Institute Male Choir, Vladimir Gorbik | C Major | 1 | 8B | 69 BPM | ||
| Antiphona: Salve Regina, Modo I | Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo | C Minor | 1 | 5A | 90 BPM | ||
| Cantus Officiorum: Responsorium: Tenebrae factae sunt | Ambrosian Chant,, Cappella Musicale del Duomo di Milano, Luigi Benedetti | E♭ Major | 1 | 5B | 131 BPM | ||
| Ave Maria, FWV 62 | César Franck, Ensemble Vocal de Lausanne, Michel Corboz | E Major | 1 | 12B | 83 BPM | ||
| Sancta Maria | Sjaella | F♯ Minor | 1 | 11A | 109 BPM | ||
| Benedictus Deus in Saecula | Choir Of St. Abuscus, Chants of Eternity | E Minor | 2 | 9A | 73 BPM | ||
| Ja falla (Czech, 14th century) | Early Music New York | D Minor | 2 | 7A | 64 BPM | ||
| Salve festa dies - Antiphona | Anonymous, Benedictine Monks of the Abbey of St. Maurice & St. Maur, Clevaux | F Minor | 1 | 4A | 76 BPM | ||
| Praise the Lord | Kiev Chamber Choir | F Major | 3 | 7B | 142 BPM | ||
| Vox Silentii | Cathedral Choir | A Minor | 0 | 8A | 130 BPM | ||
| Hodil mesjac po nebu | sestry Svjato-Elisavetinskogo monastyrja | E Minor | 2 | 9A | 78 BPM | ||
| Sanctus | Anonymous, Jan Garbarek, The Hilliard Ensemble | C Minor | 1 | 5A | 119 BPM | ||
| Hic est discipulus | Francisco Guerrero, A5 Vocal Ensemble | G Minor | 1 | 6A | 85 BPM | ||
| The Huron Carol | Spiritus Chamber Choir | A Minor | 1 | 8A | 107 BPM | ||
| We Adore You, O Christ | Richard T Proulx, The Compline Choir, Jason A. Anderson | G Major | 0 | 9B | 87 BPM | ||
| C'est par amour | Thibault Fromant, Ad Dei Gloriam | D Minor | 1 | 7A | 115 BPM | ||
| Antiphona: Alleluia, Alleluia, Modo VIII | Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo | A Major | 2 | 11B | 72 BPM | ||
| Harmonia Novissimae Serenitatis | Cherubika | B Minor | 0 | 10A | 71 BPM | ||
| Miserere | Antonio Lotti, Cantores Minores Ensemble, Filip Hayrynen | A♭ Minor | 2 | 1A | 108 BPM | ||
| Offertorium: Ave María, Modo VIII | Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo | F♯ Major | 0 | 2B | 80 BPM | ||
| Sub Tuum Paesidium: Sub Tuum Præsidium Pour Sopranos, Altos Et Orgue | Michel Piquemal Vocal Ensemble, Eric Lebrun, Michel Piquemal, Guy Ropartz | E♭ Major | 1 | 5B | 77 BPM | ||
| Te Deum - Hymnus (tonus monasticus) | Anonymous, Benedictine Monks of the Abbey of St. Maurice & St. Maur, Clevaux | A Major | 2 | 11B | 73 BPM | ||
| Σε Υμνούμεν | Χορωδία Ι. Ν. Αγίων Κυρίλλου & Μεθοδίου | A Minor | 0 | 8A | 63 BPM |