Ramkrishna Duwal, Ramesh, Om, Abash's ' "Eak Jugma Eak Din" was released on its scheduled release date, February 4, 2010. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 9 in Aau Milau Hamra Hatharu by Ramesh Shrestha, Om, Aavash, Pratima Rajbhandari. Going off of the ISRC code of this track, we detected that the origin of this track is from Norway. Based on our statistics, Eak Jugma Eak Din's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Eak Jugma Eak Din by Ramkrishna Duwal, Ramesh, Om, Abash is Allegro (fast, quick, and bright), since this song has a tempo of 124 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Govinda Hare Govinda | Vidyabhushana | D Minor | 4 | 7A | 92 BPM | ||
| Needu Shiva | Mahanya Guru Patil | B♭ Major | 5 | 6B | 97 BPM | ||
| Tore Bina Mohe Kal Na Pade-Krishna Bandish | Amrita Chaturvedi | B Minor | 5 | 10A | 150 BPM | ||
| Me to Aaje Mahant Swami | Baps Swaminarayan Sanstha | F♯ Major | 6 | 2B | 111 BPM | ||
| Probhuji Tumi Dao Darshan | Mita Dey | G Minor | 3 | 6A | 109 BPM | ||
| Kanninun Siruthampu | Ranganathan, Malola Kannan | D♭ Minor | 6 | 12A | 156 BPM | ||
| Kamakhya Stotram | Debasish Chakraborty | E♭ Minor | 4 | 2A | 69 BPM | ||
| Rai Jago Rai Jago | Amar Pal | F♯ Major | 4 | 2B | 116 BPM | ||
| Bolya Shri Hari Re | BAPS Swaminarayan Sanstha | F Minor | 4 | 4A | 116 BPM | ||
| Rathnadeepa | W. D. Amaradeva | G Major | 4 | 9B | 96 BPM | ||
| Chori Kadalani Jod Mari Late | Jashvant Rathva | F Minor | 8 | 4A | 112 BPM | ||
| Mara Ghat Ma Birajata (From "Shreenathji Mala") | Anuradha Paudwal | D Major | 5 | 10B | 77 BPM | ||
| Sri Varahi Amman | Bombay Saratha | C Major | 3 | 8B | 119 BPM | ||
| Chandrabhagechya Tiri | Pralahad Shinde | D♭ Minor | 5 | 12A | 166 BPM | ||
| Gahonokusumknjo | Pramita Mallick, Swapan Saha, Indira Banerjee, Sreenanda Mukhopadhyay | B♭ Major | 5 | 6B | 161 BPM | ||
| Mi Bhakar Jeevanachi | Fr Ramesh F D'Souza | C Major | 4 | 8B | 82 BPM | ||
| Ay Tobe Shohochori | Kaushiki Chakraborty | B♭ Major | 3 | 6B | 108 BPM | ||
| Sri Dakshinamurthy Stotram | Sudula Bandhavi, T Hari | E Major | 3 | 12B | 79 BPM | ||
| Shree Shiv Manas Pooja | Pujya Bhaishree Rameshbhai Ojha | E♭ Major | 4 | 5B | 141 BPM | ||
| Shree Rudraashtakam | Pujya Bhaishree Rameshbhai Ojha | E♭ Major | 7 | 5B | 107 BPM | ||
| Ovolu Arati Madan Gopala | Ravindra Sathe, Sangeeta Kulkarni | F Minor | 9 | 4A | 116 BPM | ||
| तुझा उपकारा जगी तोड नाही | Mahesh Hiremath | E Major | 6 | 12B | 95 BPM | ||
| Hanuman Bhujanga Stothram | Nihal, Nithya Santhoshini | C Major | 7 | 8B | 140 BPM | ||
| Neene Nanna Guruvu | Sadguru SriSatUpasi, Devotees | C Major | 5 | 8B | 124 BPM | ||
| Shri Yamunaji Aarti | Anuradha Paudwal, Ashit Desai, Purshottam Das Jalota, Shubha Joshi, Umesh Vajpai | B Minor | 5 | 10A | 171 BPM |