George Shearing's ' "Conception" was released on its scheduled release date, January 1, 1950. The duration of This song is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Conception's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "September In The Rain". In this album, this song's track order is #10. In terms of popularity, Conception is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Conception by George Shearing having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| At Last | Michael Feinstein, George Shearing | B Major | 1 | 1B | 76 BPM | ||
| Girl Talk - Remastered | Billy May, Time-Life Orchestra | F Minor | 3 | 4A | 216 BPM | ||
| All the Things You Are | Helen Forrest, Artie Shaw | C Major | 1 | 8B | 114 BPM | ||
| When It's Sleepytime Down South | Wynton Marsalis | A♭ Major | 1 | 4B | 90 BPM | ||
| I Can't Give You Anything but Love | Fats Waller | F Minor | 0 | 4A | 95 BPM | ||
| Autumn in New York | Ernestine Anderson | B♭ Major | 3 | 6B | 63 BPM | ||
| These Foolish Things (Remind Me Of You) | Nat King Cole | D♭ Major | 1 | 3B | 95 BPM | ||
| Satin Doll | McCoy Tyner | C Major | 2 | 8B | 120 BPM | ||
| Softly, As In A Morning Sunrise | Artie Shaw | F Major | 3 | 7B | 154 BPM | ||
| That's All | Ben Webster | G Minor | 1 | 6A | 80 BPM | ||
| A Beautiful Friendship | Nat King Cole, George Shearing | F♯ Major | 1 | 2B | 101 BPM | ||
| They Can't Take That Away From Me | Mael Tormé, The Marty Paich Dek-tette | E♭ Major | 2 | 5B | 132 BPM | ||
| So Would I | George Shearing | D♭ Major | 1 | 3B | 145 BPM | ||
| That Face | Frank Sinatra Jr. | F Minor | 4 | 4A | 136 BPM | ||
| Dreamsville | Henry Mancini | D Minor | 1 | 7A | 116 BPM | ||
| Serenata | Nat King Cole, George Shearing | G Major | 3 | 9B | 114 BPM | ||
| How Sweet It Is To Be In Love | Johnny Hartman | B♭ Major | 1 | 6B | 105 BPM | ||
| Spice | Frank Sinatra Jr. | A♭ Major | 3 | 4B | 123 BPM | ||
| I've Heard That Song Before | Harry James | F Major | 4 | 7B | 126 BPM | ||
| Londonderry Air | Members Of The Glenn Miller Orchestra | B♭ Major | 1 | 6B | 68 BPM | ||
| Mood Indigo | Ella Fitzgerald, Oscar Peterson | B♭ Major | 1 | 6B | 116 BPM | ||
| East of The Sun (and West of The Moon) | Catherine Russell | A♭ Major | 7 | 4B | 90 BPM | ||
| Till There Was You | Gene Ammons | F Minor | 1 | 4A | 118 BPM | ||
| Change Partners | Fred Astaire | F Major | 0 | 7B | 81 BPM | ||
| Our Love Is Here To Stay | Dinah Washington | C Major | 1 | 8B | 171 BPM |