"Modinha" by Heitor Villa-Lobos, Richard Stoltzman had its release date on 1991. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Modinha's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 14 in Brasil by Richard Stoltzman. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Modinha is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Modinha by Heitor Villa-Lobos, Richard Stoltzman is Adagio (slowly with great expression), since this song has a tempo of 67 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Madronos | Andrés Segovia | E Major | 2 | 12B | 112 BPM | ||
| Guitar Sonata No. 3: II. Chanson: Andantino molto espressivo | Manuel Ponce, Pablo Garibay | D Minor | 0 | 7A | 71 BPM | ||
| Fantasia in C Minor: Fantasy in C Minor | Silvius Leopold Weiss, Jakob Lindberg | B♭ Minor | 0 | 3A | 182 BPM | ||
| Nana | Manuel de Falla, Martin Fröst, Royal Stockholm Philharmonic Orchestra | A Minor | 0 | 8A | 113 BPM | ||
| Suite No. 1, "Orientale": I. Okenstamning: Adagio | Kurt Atterberg, Ferenc Balogh, Gyorgy Kertesz, Andras Kiss, Ilona Prunyi | B Minor | 1 | 10A | 61 BPM | ||
| Cenas Brasileiras: No. 2, Sonha Iaiá | Isaías Sávio, Gerald Garcia | G Major | 1 | 9B | 83 BPM | ||
| Dansa brasileira | Camargo Guarnieri, Simón Bolívar Symphony Orchestra Of Venezuela, Maximiano Valdes | E Major | 3 | 12B | 102 BPM | ||
| Preludes: Prelude No. 5 | Federico Mompou, Olena Kushpler | D Minor | 0 | 7A | 72 BPM | ||
| Scheherazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Aleksandar Sedlar, Nemanja Radulović, Double Sens, Stéphanie Fontanarosa | C Major | 1 | 8B | 74 BPM | ||
| Improvisation No. 3 | Gabriela Montero | D Major | 2 | 10B | 113 BPM | ||
| The Firebird (L'oiseau De Feu) - Suite (1919): Finale | Igor Stravinsky, Orchestre de l'Opéra National de Paris, Myung-Whun Chung | E Major | 2 | 12B | 78 BPM | ||
| Romance de los pinos | Federico Moreno Torroba, Andrés Segovia | A Major | 0 | 11B | 83 BPM | ||
| Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
| Se ela preguntar - Waltz (Paschoito) | Dilermando Reis, Ricardo Cobo | E Minor | 0 | 9A | 164 BPM | ||
| Schubert: Schwanengesang, D. 957: No. 4, Ständchen | Franz Schubert, Anneleen Lenaerts, Dionysis Grammenos | C Minor | 0 | 5A | 131 BPM | ||
| Libertango (Arr. for Guitar) | Victor Villadangos | A Minor | 1 | 8A | 158 BPM | ||
| Po de Mico (Itching Powder) | João Pernambuco, Graham Anthony Devine | G Major | 1 | 9B | 104 BPM | ||
| Liebesleid | Fritz Kreisler, Michael Collins, Michael McHale | A Minor | 0 | 8A | 85 BPM | ||
| Valsa de esquina No. 8 | Francisco Mignone, Gustavo Tavares, Nelson Faria | E Minor | 1 | 9A | 200 BPM | ||
| Piano Concerto No. 2 Op. 102 in F Major: II. Andante | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | C Minor | 0 | 5A | 78 BPM | ||
| Les chemins de l'amour, FP. 106 | Francis Poulenc, Mischa Maisky, Daria Hovora | E Major | 1 | 12B | 67 BPM | ||
| Carmen Concert Fantasy, Op. 25: I. Introduction. Allegro moderato | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | D Minor | 1 | 7A | 107 BPM | ||
| Pièces de clavecin, Book 2, Ordre sixième: No. 5, Les baricades mistérieuses (Arr. X. Jara for Guitar) | François Couperin, Xavier Jara | A Major | 2 | 11B | 76 BPM | ||
| Apariciones: Valses Romanticos: Sensitive | Enrique Granados, Douglas Riva | C Minor | 0 | 5A | 143 BPM | ||
| Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM |