Shafullah Khan Rokhrhi's ' "Asan Dil Watawna Hay" was released on its scheduled release date, 2015. This song is about six minutes long, preciously at 5:33, making this song fairly long compared to other songs. The track order of this song in Shafullah Khan Rokhrhi's "Jali Dar Kamezan" album is number 2 out of 10. On top of that, Pakistan appears to be the country where this track was created. The popularity of Asan Dil Watawna Hay is currently not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Asan Dil Watawna Hay by Shafullah Khan Rokhrhi to be Vivace (lively and fast) because the track has a tempo of 172 BPM, a half-time of 86BPM, and a double-time of 344 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pehli Raat Milaap Di | Gurmeet Singh, Gursewak Mann, Sunidhi Chauhan | B Major | 10 | 1B | 145 BPM | ||
| Massa Maarta Singhan Ne | Sarabjit Bugga, Manpreet Bagga | D♭ Major | 7 | 3B | 140 BPM | ||
| Dus Din Peke | Surjit Bhular | F♯ Major | 9 | 2B | 125 BPM | ||
| Sufi Dil | Sufi-Punjabi | F Major | 7 | 7B | 94 BPM | ||
| Sargodha | Ansaar Khan | D♭ Major | 8 | 3B | 88 BPM | ||
| Asan Maray Sarkar Tusan | Shafaullah Khan Rokhri | G Major | 5 | 9B | 96 BPM | ||
| Thand Aa Gayi | Amrit Singh | A♭ Major | 9 | 4B | 170 BPM | ||
| Adhi Raati Naal Tere | Naseebo Lal | A♭ Major | 9 | 4B | 120 BPM | ||
| Bebe Hougi Udeekdi | Raja Sidhu, Rajwinder Kaur | F♯ Minor | 8 | 11A | 120 BPM | ||
| Hun Kalian Ni Lagda Ae Dil Dholna | Naseebo Lal | D Major | 7 | 10B | 78 BPM | ||
| Jai Babe Di Bolke | Sonu Saini | A♭ Minor | 9 | 1A | 87 BPM | ||
| Thori Pi Lai Te Ki Hoya | Shafaullah Khan Rokhri | B♭ Minor | 10 | 3A | 99 BPM | ||
| Manja | Sukshinder Shinda, Madan Maddi | D♭ Major | 7 | 3B | 152 BPM | ||
| Farida Turia Turia | Vicky Badshah | F♯ Minor | 8 | 11A | 83 BPM | ||
| Tati Tawi | Jashan Deep, Veer Davinder | D♭ Major | 9 | 3B | 80 BPM | ||
| Velleya Ve Vellipuna | Satnam Sagar, Sharanjeet Shammi | A♭ Major | 10 | 4B | 108 BPM | ||
| Deva Chalda Mahasua - Pashmi Pravas Geet | Deep Khadrai | B Major | 7 | 1B | 128 BPM | ||
| Tainu Bewafa Da Naam | Davinder Kohinoor | F Major | 8 | 7B | 110 BPM | ||
| Halat Diyan Majboriyan mahiye | Naeem Hazarvi | A Major | 8 | 11B | 91 BPM | ||
| Tutte Teer | Labh Heera, Sachin Ahuja | D♭ Major | 8 | 3B | 124 BPM | ||
| Sadi Pasand Mahi Tu | Shafaullah Khan Rokhri | F Major | 7 | 7B | 94 BPM | ||
| Taveet | Maninder Manga | A Major | 8 | 11B | 135 BPM | ||
| Parh Parh Chithian Yaar Dian | Shaukat Ali, Naseebo Lal | D♭ Minor | 9 | 12A | 140 BPM | ||
| Dhole Kun Manawan Di | Ahmed Nawaz Cheena | F♯ Major | 4 | 2B | 81 BPM | ||
| Sajeya Mindhal Darbar Maiya Ji Tera | Naveen Punjabi | D♭ Major | 9 | 3B | 142 BPM |