On February 14, 2006, the song "Spoken Intro 5" was released by Dave Frishberg. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 28 in the song's album "Retromania: At The Jazz Bake". In this album, this song's track order is #17. Furthermore, we believe that the track originated from United States. In terms of popularity, Spoken Intro 5 is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Spoken Intro 5 by Dave Frishberg having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
E♭ Minor is the music key of this track. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dream A Little Dream of Me | John C. Reilly, Mister Romantic | C Major | 5 | 8B | 98 BPM | ||
| The Good Life | Billy Eckstine | G Major | 2 | 9B | 68 BPM | ||
| Waters Of March | Mark Murphy | G Major | 7 | 9B | 153 BPM | ||
| Have You Met Miss Jones? | Illinois Jacquet | F Major | 2 | 7B | 104 BPM | ||
| In A Mellow Tone - Vocal Version | Lambert, Hendricks & Ross | A♭ Major | 3 | 4B | 122 BPM | ||
| 'Neath The Purple On The Hills | Retta Christie, Dave Frishberg, David Evans | B♭ Major | 4 | 6B | 93 BPM | ||
| Bluesette | Sue Raney | G Major | 4 | 9B | 121 BPM | ||
| The Underdog | Bob Dorough, Dave Frishberg | E♭ Major | 3 | 5B | 85 BPM | ||
| He's A Real Gone Guy | Nellie Lutcher | D♭ Major | 3 | 3B | 120 BPM | ||
| Things Ain't What They Used To Be | Lambert, Hendricks & Ross | D♭ Major | 3 | 3B | 106 BPM | ||
| Who's On First? | Bob Dorough, Dave Frishberg | D Minor | 3 | 7A | 81 BPM | ||
| The Best Is Yet To Come | Lorez Alexandria | F Major | 1 | 7B | 118 BPM | ||
| Satin Doll | Lorez Alexandria | A Minor | 2 | 8A | 121 BPM | ||
| Ad Infinitum | Carla Bley | B Minor | 6 | 10A | 187 BPM | ||
| Sombra de lo que fue y ya no es | Eterna Ceniza | A Major | 3 | 11B | 95 BPM | ||
| They Speak No Evil | Kurt Elling, WDR Big Band | C Major | 5 | 8B | 98 BPM | ||
| Moanin' | Lambert, Hendricks & Ross | C Minor | 2 | 5A | 114 BPM | ||
| Count's Place | Count Basie and The Kansas City 7 | C Major | 1 | 8B | 91 BPM | ||
| I Don't Want To Miss Mississippi | Jack Teagarden | C Major | 2 | 8B | 70 BPM | ||
| Frankie And Johnny | Morgana King | E♭ Major | 3 | 5B | 87 BPM | ||
| Hi Fly | Mel Tormé | C Minor | 3 | 5A | 129 BPM | ||
| I Can't Escape From You | Carmen McRae | F Major | 0 | 7B | 88 BPM | ||
| Don't Be On The Outside | Shirley Horn | F Minor | 3 | 4A | 119 BPM | ||
| I'll Remember April | April Varner | C Major | 4 | 8B | 98 BPM | ||
| The Way You Linger | Velour Calder | C Major | 5 | 8B | 98 BPM |