"火の鳥 終曲" by Igor Stravinsky, Kotaro Fukuma had its release date on September 17, 2014. The duration of This song is about 3 minutes long, at 3:17. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in 火の鳥 〜ロシア・ピアノ作品集〜, so we believe that "火の鳥 終曲" is a single. In terms of popularity, 火の鳥 終曲 is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 火の鳥 終曲 by Igor Stravinsky, Kotaro Fukuma is Moderato (at a moderate speed), since this song has a tempo of 119 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Transfigured Night, Op. 4 (Version for String Orchestra): Pesante - Grave | Arnold Schoenberg, Berliner Philharmoniker, Kirill Petrenko | E Major | 0 | 12B | 73 BPM | ||
| The Planets, Op. 32: I. Mars, the Bringer of War | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 5 | 4B | 149 BPM | ||
| Don Quixote, Op. 35: XIV. Finale. The Death of Don Quixote. Sehr ruhig | Richard Strauss, Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 85 BPM | ||
| Stravinsky: Petrouchka, Tableau I "La foire du Mardi-Gras": Introduction - Fête populaire de la semaine grasse (1947 Version) | Igor Stravinsky, Riccardo Muti, Philadelphia Orchestra | D Major | 9 | 10B | 142 BPM | ||
| Scheherazade: Calm - the triumph of Scheherazade | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | E Minor | 0 | 9A | 68 BPM | ||
| Symphony No. 5 in E Minor, Op. 64: IV. Finale. Andante maestoso – Allegro vivace – Moderato assai e molto maestoso – Presto – Molto meno mosso | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Kirill Petrenko | E Major | 3 | 12B | 141 BPM | ||
| The Planets, Op. 32: V. Saturn, the Bringer of Old Age | Gustav Holst, Chicago Symphony Orchestra, James Levine | G Major | 0 | 9B | 132 BPM | ||
| Symphony No. 1 in D Major: 2. Kräftig bewegt - Live | Gustav Mahler, Berliner Philharmoniker, Claudio Abbado | A Major | 1 | 11B | 96 BPM | ||
| Symphony No. 2 in C minor - "Resurrection" / 5th Movement: Sehr langsam und gedehnt ("der grosse Appell") | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | D♭ Minor | 0 | 12A | 67 BPM | ||
| The Planets, Op. 32: 6. Uranus, the Magician | Gustav Holst, Orchestre Symphonique de Montréal, Charles Dutoit | C Major | 2 | 8B | 115 BPM | ||
| Symphony No. 5 In C Sharp Minor: 1. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt) [Symphony No.5 in C sharp minor / Part 1] | Gustav Mahler, Wiener Philharmoniker, Pierre Boulez | D♭ Minor | 1 | 12A | 86 BPM | ||
| Pictures at an Exhibition (Orch. Ravel): VI. Samuel Goldenberg und Schmuÿle | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F♯ Minor | 1 | 11A | 114 BPM | ||
| D'un matin de printemps | Lili Boulanger, Yan Pascal Tortelier, BBC Philharmonic | C Major | 1 | 8B | 130 BPM | ||
| Aleko: Intermezzo | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | B♭ Major | 0 | 6B | 90 BPM | ||
| Printemps, L. 61: II. Modéré | Claude Debussy, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | F♯ Minor | 2 | 11A | 103 BPM | ||
| The Firebird (L'oiseau De Feu) - Suite (1919): Berceuse | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | A♭ Minor | 0 | 1A | 135 BPM | ||
| Symphonie fantastique, Op. 14, H 48: III. Scène aux champs | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | F Major | 0 | 7B | 77 BPM | ||
| Tchaikovsky: Symphony No. 4 in F Minor, Op. 36: IV. Finale (Allegro con fuoco) | Pyotr Ilyich Tchaikovsky, San Francisco Symphony, Michael Tilson Thomas | F Minor | 4 | 4A | 80 BPM | ||
| Symphony No. 5: II. Stürmisch bewegt, mit größter Vehemenz | Gustav Mahler, Wiener Philharmoniker, Pierre Boulez | B♭ Minor | 2 | 3A | 82 BPM | ||
| Capriccio Espagnol: Alborada | Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Alexander Lazarev, Joakim Svenheden | B♭ Major | 3 | 6B | 126 BPM | ||
| Symphony No. 2 in B Minor: 3. Andante | Alexander Borodin, London Symphony Orchestra, Jean Martinon | D♭ Major | 1 | 3B | 91 BPM | ||
| Symphony No. 2 in B Minor: IV. Finale | Alexander Borodin, Gennady Rozhdestvensky, Royal Stockholm Philharmonic Orchestra | D Major | 1 | 10B | 129 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: III. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | F Major | 3 | 7B | 164 BPM | ||
| Pomp and Circumstance March No. 2 in A Minor, Op. 39/2 | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B Minor | 2 | 10A | 132 BPM | ||
| Schoenberg: Verklärte Nacht, Op. 4: I. Grave (1943 Version) | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | D Minor | 1 | 7A | 174 BPM |