"Breakaway" by Jerry Goldsmith had its release date on January 1, 2007. The duration of This song is about 3 minutes long, at 3:03. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 10 in Alien by Jerry Goldsmith. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Breakaway is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Breakaway by Jerry Goldsmith is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Overture - Star Trek VI/Soundtrack Version | Cliff Eidelman | E Minor | 3 | 9A | 133 BPM | ||
| Escape From Rura Penthe - Star Trek VI/Soundtrack Version | Cliff Eidelman | D Major | 1 | 10B | 112 BPM | ||
| The Cloud (Film Version) | Jerry Goldsmith | B♭ Major | 3 | 6B | 72 BPM | ||
| Sheet Show / Main Title | Joseph Loduca | D♭ Major | 3 | 3B | 91 BPM | ||
| A Few Friends Save Manhattan | Randy Edelman | F Major | 3 | 7B | 83 BPM | ||
| Alien Queen | Harald Kloser | G Major | 5 | 9B | 75 BPM | ||
| Set and Setting | Johnny Klimek, Tom Tykwer | D Major | 1 | 10B | 67 BPM | ||
| The Concrete Cell | Bear McCreary | F♯ Minor | 2 | 11A | 122 BPM | ||
| The Mutant | Jerry Goldsmith | B♭ Major | 1 | 6B | 112 BPM | ||
| Life | Marc Streitenfeld | E Major | 1 | 12B | 69 BPM | ||
| Old Times Sake | Jerry Goldsmith | E♭ Major | 2 | 5B | 117 BPM | ||
| Collision | Marc Streitenfeld | D♭ Minor | 3 | 12A | 75 BPM | ||
| Grave Consequences | Joe Kraemer | D Major | 0 | 10B | 79 BPM | ||
| Drive to the Cave | David Julyan | C Major | 1 | 8B | 108 BPM | ||
| Insanity | Saleh Sarabov, Saleh Sarab | D♭ Major | 1 | 3B | 65 BPM | ||
| The End... or Maybe Not | Harald Kloser | D♭ Major | 3 | 3B | 81 BPM | ||
| Prologue | Joseph Loduca | E Major | 2 | 12B | 170 BPM | ||
| Fmv Intro | Peter Connelly | A Major | 2 | 11B | 113 BPM | ||
| Directive IV | Basil Poledouris | D♭ Major | 2 | 3B | 86 BPM | ||
| Prologue / Main Title | Stu Phillips | F Major | 0 | 7B | 71 BPM | ||
| To Think Of A Story | Patrick Doyle | B♭ Minor | 9 | 3A | 128 BPM | ||
| The Complex | James Horner, London Symphony Orchestra | F Minor | 3 | 4A | 81 BPM | ||
| Peragus II | Mark Griskey | D♭ Minor | 2 | 12A | 66 BPM | ||
| Tram Station | Trevor Gureckis | A♭ Major | 2 | 4B | 75 BPM | ||
| The Smell of Death | Richard Bellis | A Minor | 1 | 8A | 70 BPM |