"The Mutant" by Jerry Goldsmith had its release date on January 1, 1990. The duration of This song is about 3 minutes long, at 3:16. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 53 in the song's album "Total Recall (Original Motion Picture Soundtrack)". In this album, this song's track order is #21. Furthermore, we believe that the track originated from Spain. In terms of popularity, The Mutant is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Mutant by Jerry Goldsmith having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 1/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Day In The Life | Marco Beltrami | A♭ Major | 1 | 4B | 50 BPM | ||
| New Providence | Jerry Goldsmith, Ron Jones | F♯ Major | 2 | 2B | 69 BPM | ||
| The Anvil Of Crom - Main Title Conan The Barbarian | Steven Scott Smalley | G Minor | 5 | 6A | 120 BPM | ||
| Thinking Of Marie | John Powell | D♭ Minor | 0 | 12A | 99 BPM | ||
| Theme from "Armageddon" | Trevor Rabin | A Minor | 5 | 8A | 75 BPM | ||
| Overture | Jerry Goldsmith | B♭ Major | 3 | 6B | 72 BPM | ||
| The Power Plant | Don Davis | C Minor | 6 | 5A | 117 BPM | ||
| Forbidden Love | Elliot Leung, Long Yu, Shanghai Symphony Orchestra | D Major | 1 | 10B | 77 BPM | ||
| Agfa Montage | Johnny Klimek, Reinhold Heil | F♯ Major | 1 | 2B | 80 BPM | ||
| Over the Top | Jerry Goldsmith | F Major | 1 | 7B | 72 BPM | ||
| Spock’s Arrival | Jerry Goldsmith | B♭ Major | 3 | 6B | 72 BPM | ||
| Two Captains | Dennis McCarthy | C Major | 0 | 8B | 166 BPM | ||
| Fides Fragilis | Mark Snow | E Minor | 2 | 9A | 89 BPM | ||
| Eternas | Armonias | B♭ Major | 1 | 6B | 145 BPM | ||
| Retreat | Star Trek - First Contact | F Major | 2 | 7B | 128 BPM | ||
| Law & Disorder | David Shire | E♭ Major | 2 | 5B | 72 BPM | ||
| One Eyed Willie | Dave Grusin | A Major | 1 | 11B | 66 BPM | ||
| Fratelli Chase | Dave Grusin | D Minor | 4 | 7A | 80 BPM | ||
| Capa Suits Up | John Murphy | E Minor | 5 | 9A | 155 BPM | ||
| Switched For Life | Don Davis | A♭ Major | 1 | 4B | 82 BPM | ||
| Dies Irae | Elliot Goldenthal | B♭ Major | 4 | 6B | 90 BPM | ||
| Temporal Wake | Star Trek - First Contact | G Minor | 1 | 6A | 94 BPM | ||
| Pledge | Elliot Leung, Long Yu, Shanghai Symphony Orchestra | D Minor | 3 | 7A | 115 BPM | ||
| Van Chase | Basil Poledouris | C Major | 1 | 8B | 87 BPM | ||
| The Force Field | Jerry Goldsmith | B♭ Major | 2 | 6B | 162 BPM |