"Spock’s Arrival" by Jerry Goldsmith had its release date on April 5, 2022. The duration of This song is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Spock’s Arrival's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Star Trek: The Motion Picture - The Director's Edition (Music from the Motion Picture)". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. Spock’s Arrival is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Spock’s Arrival by Jerry Goldsmith having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Where Are We | Gordy Haab | E♭ Major | 2 | 5B | 76 BPM | ||
| I Can Live with It (From "Star Trek: Deep Space Nine") [Live] | David Bell, Czech National Symphony Orchestra, Justin Freer | B Minor | 1 | 10A | 133 BPM | ||
| Cemetary Of Dead Ships | Jerry Goldsmith, Ron Jones | D♭ Major | 1 | 3B | 136 BPM | ||
| Iziz | Mark Griskey | D♭ Minor | 2 | 12A | 66 BPM | ||
| Marauder's Massacre | Brian May | C Major | 2 | 8B | 146 BPM | ||
| The Creation | Patrick Doyle | E Major | 3 | 12B | 187 BPM | ||
| Korgar | Koda Bark | F♯ Major | 5 | 2B | 131 BPM | ||
| Emily Gone | Christopher Willis | A Minor | 5 | 8A | 72 BPM | ||
| An Unexpected Reunion | Gordy Haab | G Minor | 4 | 6A | 105 BPM | ||
| Presidential Proclamation | W.G. Snuffy Walden | G Major | 1 | 9B | 84 BPM | ||
| Home Again: End Credits | Leonard Rosenman | C Major | 3 | 8B | 121 BPM | ||
| Arson Around | Julian Nott, Rupert Gregson-Williams, James Michael Dooley, Lorne Balfe, Alastair King | A Minor | 1 | 8A | 127 BPM | ||
| Earthquake | Ben Bartlett, BBC Concert Orchestra | G Major | 3 | 9B | 94 BPM | ||
| Main Title / Trinity Infinity - From "The Matrix" | Don Davis | E Minor | 5 | 9A | 136 BPM | ||
| Borg Take Picard | Jerry Goldsmith, Ron Jones | G Major | 4 | 9B | 135 BPM | ||
| The Intruder | Gordy Haab | E♭ Major | 2 | 5B | 76 BPM | ||
| Tomb Interior | Mark Griskey | D♭ Minor | 2 | 12A | 66 BPM | ||
| The Box | Jerry Goldsmith | E♭ Major | 0 | 5B | 97 BPM | ||
| A Few Friends Save Manhattan | Randy Edelman | F Major | 3 | 7B | 83 BPM | ||
| I Will Not Change | Murray Gold | D Major | 3 | 10B | 61 BPM | ||
| Blade Brothers | Ben Bartlett, BBC Concert Orchestra | F Minor | 1 | 4A | 64 BPM | ||
| Brainbug | Basil Poledouris | D♭ Major | 3 | 3B | 65 BPM | ||
| J-E-N-O-V-A - Emergence - FF7 Rebirth OST Ver. | 植松 伸夫, 中村佳紀 | F Major | 0 | 7B | 134 BPM | ||
| Tornado Warning | Harald Kloser | D♭ Major | 1 | 3B | 139 BPM | ||
| The Connection - Dragonheart/Soundtrack Version | Randy Edelman | F Major | 1 | 7B | 80 BPM |