Lata Mangeshkar, Laxmikant–Pyarelal's ' "Jane Kyon Log Mohabbat Kiya" was released on its scheduled release date, January 1, 1970. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Laxmikant–Pyarelal's "Mehboob Ki Mehndi" album is number 7 out of 7. Based on our statistics, Jane Kyon Log Mohabbat Kiya's popularity is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Jane Kyon Log Mohabbat Kiya by Lata Mangeshkar, Laxmikant–Pyarelal to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tadap Tadap (From "Hum Dil De Chuke Sanam") | KK, Dominique | A♭ Major | 3 | 4B | 76 BPM | ||
| Yeh Jo Mohabbat Hai | Kishore Kumar, R. D. Burman | G Minor | 3 | 6A | 126 BPM | ||
| Meri Yaad Mein Tum Na Ansoo Bahana | Talat Mahmood | G Minor | 3 | 6A | 142 BPM | ||
| Ek Din Bik Jayega Mati Ke Mol (Happy) | Mukesh | D♭ Major | 5 | 3B | 93 BPM | ||
| Main Teri Nazar Ka Suroor Hoon | Talat Mahmood | G Major | 4 | 9B | 142 BPM | ||
| Luka Chuppi | A.R. Rahman, Lata Mangeshkar | E Major | 4 | 12B | 104 BPM | ||
| Jo Wada Kiya Woh Nibhana Padega - Jhankar Beats | Hero And King Of Jhankar Studio, Mohammed Rafi, Lata Mangeshkar | D♭ Major | 8 | 3B | 78 BPM | ||
| Commentry Tabassum And Chingari Koi Bhadke | Tabassum, Kishore Kumar, R. D. Burman | B Minor | 4 | 10A | 87 BPM | ||
| O Meri Ladli (Part - 1) | Suman Kalyanpur | E Minor | 9 | 9A | 171 BPM | ||
| O Goriya Re | K. J. Yesudas | A Minor | 5 | 8A | 98 BPM | ||
| Chura Liya Hai Tumne Jo Dil Ko - Revival | Asha Bhosle, Mohammed Rafi | G Major | 4 | 9B | 80 BPM | ||
| Bahon Mein Chale Aao - With Dialogues | Sanjeev Kumar, Jaya Bhaduri, Lata Mangeshkar, R. D. Burman | B Major | 3 | 1B | 73 BPM | ||
| Commentry Tabassum And Zindagi Pyar Ka Geet Hai | Tabassum, Kishore Kumar, Usha Khanna | F♯ Major | 4 | 2B | 87 BPM | ||
| Baharo Phool Barsao (From "Suraj") | Mohammed Rafi | E♭ Minor | 5 | 2A | 168 BPM | ||
| Jhooti Mooti Mitwa Aawan Bole | Bhupen Hazarika, Lata Mangeshkar | D♭ Major | 8 | 3B | 105 BPM | ||
| Dono Hi Mohabbat Ke | Altaf Raja | B♭ Minor | 8 | 3A | 168 BPM | ||
| Dil Dhundta Hai (From "Mausam") | Bhupinder Singh, Lata Mangeshkar | D Minor | 7 | 7A | 154 BPM | ||
| Mana Ho Tum Behad Haseen | K. J. Yesudas | B Minor | 2 | 10A | 161 BPM | ||
| Kahin Pe Nigahen Kahin Pe Nishana | O. P. Nayyar, Majrooh Sultanpuri | E♭ Major | 3 | 5B | 106 BPM | ||
| Tu Is Tarah Se - Manhar Udhas | Manhar Udhas | G Major | 3 | 9B | 92 BPM | ||
| Faza Bhi Hai Jawan - Pt. 1 and Ii | Salma Agha | B♭ Major | 4 | 6B | 146 BPM | ||
| Ankhon Mein Qayamat Ke Kajal | Mahendra Kapoor | F Minor | 5 | 4A | 102 BPM | ||
| Tumhein Geeton Mein Dhalonga | Jaspal Singh, Kalyani Mitra | A Major | 6 | 11B | 92 BPM | ||
| Main Pal Do Pal Ka Shair Hoon With Dialogue By Amitabh | Amitabh Bachchan, Mukesh | F Major | 4 | 7B | 129 BPM | ||
| Patta Patta Buta Buta - From "Ek Nazar" | Mohammed Rafi, Lata Mangeshkar | A♭ Major | 7 | 4B | 138 BPM |