Manhar Udhas's 'Tu Is Tarah Se - Manhar Udhas' had a release date set for December 5, 1980. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 6 in Aap To Aise Na The by Usha Khanna, Nida Fazli, Indeevar. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Tu Is Tarah Se - Manhar Udhas is currently average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Tu Is Tarah Se - Manhar Udhas by Manhar Udhas is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kahe Ko Byahi Bides - Jagjit Kaur | Jagjit Kaur | C Major | 7 | 8B | 130 BPM | ||
| Tu Mera Hero Hai Club Mix | DJ Percy, Manhar Udhas, Anuradha Paudwal | G Major | 8 | 9B | 115 BPM | ||
| Jeevan Sathi Saath Mein Rahna | Manhar Udhas, Anuradha Paudwal, Laxmikant–Pyarelal | A♭ Major | 6 | 4B | 80 BPM | ||
| Rooth Kar Hamse | Jatin Pandit | A Major | 4 | 11B | 184 BPM | ||
| Titli Udi Ud Jo Chali | Sharada, Shailendra | F♯ Minor | 8 | 11A | 127 BPM | ||
| Jab Tak Pure Na Ho Phere Saat | Hemlata | G Minor | 6 | 6A | 116 BPM | ||
| Do Deewane Shaher Mein | Runa Laila, Bhupinder Singh, Gulzar | B♭ Major | 7 | 6B | 84 BPM | ||
| Woh Apne Chehre Me Sau Aaftab | Ghulam Ali | B♭ Minor | 3 | 3A | 93 BPM | ||
| Chat Ke Oopar Do Kabootar - Sudesh Bhosle, Manhar Udhas & Jackie Shroff Version | Sudesh Bhosle, Manhar Udhas, Jackie Shroff | C Minor | 8 | 5A | 188 BPM | ||
| Zindagi Mein Jab Tumhare Gham Nahin The | Anuradha Paudwal, Bhupinder Singh | D Major | 4 | 10B | 86 BPM | ||
| Jaate Ho Pardesh Piya | Anuradha Paudwal, Nitin Mukesh | F♯ Minor | 6 | 11A | 90 BPM | ||
| So Gaya Yeh Jahan | Nitin Mukesh, Alka Yagnik, Shabbir Kumar | E Major | 5 | 12B | 142 BPM | ||
| Om Jaiya Lakshmi Mata | Manhar Udhas | B Major | 5 | 1B | 147 BPM | ||
| Itna Toota Hun Ke Chhune Se | Ghulam Ali | A Minor | 5 | 8A | 125 BPM | ||
| Yeh Kisne Geet Chheda | Suman Kalyanpur, Mukesh, S. D. Burman | A♭ Major | 6 | 4B | 98 BPM | ||
| Humen To Ab Bhi Woh Gujara Zamana Yaad | Ghulam Ali | B♭ Minor | 3 | 3A | 93 BPM | ||
| Ye Mulaqat Ek Bahana Hai - From "Khandaan" | Lata Mangeshkar | F♯ Minor | 7 | 11A | 117 BPM | ||
| Main To Har Mod Par (Happy) | Mukesh, Naqsh Lyallpuri | F Major | 7 | 7B | 85 BPM | ||
| Chham Chham Baje Re Payaliya | Manna Dey | A♭ Minor | 6 | 1A | 109 BPM | ||
| Tum Apna Ranjhogham Apni | Jagjit Kaur | F Minor | 3 | 4A | 79 BPM | ||
| Na Moonh Chhupa Ke Jiyo | Mahendra Kapoor | F Major | 5 | 7B | 135 BPM | ||
| Tera Naam Liya - Hip Hop Mix | SPECRO X SKETCH, Manhar Udhas, Anuradha Paudwal | B♭ Minor | 5 | 3A | 130 BPM | ||
| Saudagar Sauda Kar - Jhankar Beats | Kavita Krishnamurthy, Manhar Udhas, Sukhwinder Singh | A Major | 6 | 11B | 142 BPM | ||
| Ankhiyon Ke Jharokhon Se - Part 2 | Hemlata, Ravindra Jain | F Minor | 4 | 4A | 120 BPM | ||
| Ek Din Tum Bahut Bade Banoge | Hemlata, Shailendra Singh, Ravindra Jain | E Major | 3 | 12B | 174 BPM |