"The Armed Man (Ensemble Version): XII. Benedictus" by Karl Jenkins, Hertfordshire Chorus, David Temple, London Orchestra da Camera, Jamal Aliyev had its release date on January 12, 2024. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Karl Jenkins, Hertfordshire Chorus, David Temple, London Orchestra da Camera's "Karl Jenkins: The Armed Man (Ensemble Version)" album is number 12 out of 13. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, The Armed Man (Ensemble Version): XII. Benedictus's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Armed Man (Ensemble Version): XII. Benedictus by Karl Jenkins, Hertfordshire Chorus, David Temple, London Orchestra da Camera, Jamal Aliyev to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Widor : Toccata in F major | Charles-Marie Widor, Kalevi Kiviniemi | F Major | 3 | 7B | 62 BPM | ||
| Vaughan Williams: The Lark Ascending (Excerpt) | Ralph Vaughan Williams, Andrew Davis, Tasmin Little, BBC Symphony Orchestra | E Minor | 0 | 9A | 174 BPM | ||
| Phantasy Quintet: III. Alla Sarabanda: Lento | Ralph Vaughan Williams, Garfield Jackson, Maggini Quartet | E♭ Minor | 10 | 2A | 123 BPM | ||
| Cinema Paradiso Theme - From "Cinema Paradiso" | Orchestre Filmharmonique, Francis Choinière | F Major | 1 | 7B | 78 BPM | ||
| The Arctic Suite: IV. A Rush of Life | Jacob Shea, Eldbjørg Hemsing, Arctic Philharmonic | F Major | 4 | 7B | 102 BPM | ||
| The Fruit of Silence | Pēteris Vasks, Latvian Radio Choir, Sigvards Kļava | B♭ Minor | 0 | 3A | 90 BPM | ||
| Heyr þú oss himnum á | Anna Thorvaldsdottir, Schola Cantorum Reykjavicensis, Hörður Áskelsson | D Minor | 0 | 7A | 138 BPM | ||
| Emily — No Prisoner Be: No. 19, Her Face | Kevin Puts, Time For Three, Joyce DiDonato | D Major | 1 | 10B | 70 BPM | ||
| Rich and Famous | Renaud Capuçon, Les Siècles, Duncan Ward | A Major | 1 | 11B | 94 BPM | ||
| Chants d'Auvergne, Vol. 1: No. 2, Bailero | Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus | B♭ Major | 1 | 6B | 135 BPM | ||
| The Armed Man (Ensemble Version): I. The Armed Man | Karl Jenkins, Hertfordshire Chorus, David Temple, London Orchestra da Camera | G Major | 2 | 9B | 127 BPM | ||
| Sancte Deus (Nimrod) | All Angels | E♭ Major | 3 | 5B | 78 BPM | ||
| The Peacemakers: XIII. The Peace Prayer Of St Francis Of Assisi | Karl Jenkins, London Symphony Orchestra, CBSO Youth Chorus, Simon Halsey, Rundfunkchor Berlin | D Minor | 2 | 7A | 87 BPM | ||
| Herz und Mund und Tat und Leben Variation (After Herz und Mund und Tat und Leben, BWV 147: VI. Wohl mir, daß ich Jesum habe) [Arr. for Violin, String Quintet & Piano by Jan-Peter Klöpfel] | Johann Sebastian Bach, Jan-Peter Klöpfel, Eldbjørg Hemsing, Norwegian String Quintet, Tim Allhoff | D Major | 1 | 10B | 70 BPM | ||
| Was mir behagt, ist nur die muntre Jagd!, BWV 208: No. 9, Schafe können sicher weiden (Transcr. L. Stokowski) | Johann Sebastian Bach, Bournemouth Symphony Orchestra, José Serebrier | B♭ Major | 0 | 6B | 95 BPM | ||
| 3 extraits de la Messe des Morts: Pie Jesu | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | C Minor | 1 | 5A | 82 BPM | ||
| The Music Makers, Op. 69: II. We Are the music makers | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | B♭ Minor | 0 | 3A | 79 BPM | ||
| Musica serena | Pēteris Vasks, Munich Radio Orchestra, Ivan Repušić | A Minor | 0 | 8A | 65 BPM | ||
| L.B. Files: Igiul | Abel Selaocoe, Manchester Collective | F Major | 1 | 7B | 111 BPM | ||
| Miserere, Op.44: 2. Domine Deus noster-Lento. Dolce Cantabile | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | C Major | 0 | 8B | 90 BPM | ||
| Where the Mountains Meet | Lauri Porra, Lahti Symphony Orchestra, Kristian Sallinen | D Major | 1 | 10B | 70 BPM | ||
| Lux Aurumque | Eric Whitacre, Virtual Choir 1 | D♭ Minor | 2 | 12A | 79 BPM | ||
| Montgomery Variations: I. The Decision – Andante deciso | Margaret Bonds, Philadelphia Orchestra, Yannick Nézet-Séguin | D Minor | 0 | 7A | 141 BPM | ||
| Interlinked – V. Growth | Luke Howard, Royal Ballet Sinfonia | F♯ Minor | 1 | 11A | 65 BPM | ||
| last summer | Evlin Dubose, Evlin | D Major | 2 | 10B | 80 BPM |