"Since Day One" by Dead Swans had its release date on February 28, 2012. For a fairly short song, this song is "Since Day One" is considered an explicit song with a duration of 1:31. The song is number 5 out of 7 in Anxiety And Everything Else by Sleeping With Sirens, Bun Dem Out, Dead Swans. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Since Day One's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Since Day One by Dead Swans is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Just Because You Sleep Next to Me Doesn't Mean You Are Safe | Gallows | F♯ Minor | 10 | 11A | 97 BPM | ||
| On Your Way Out | Guns Up! | B Major | 9 | 1B | 199 BPM | ||
| Shoplifting in a Ghost Town | American Nightmare | B Major | 10 | 1B | 97 BPM | ||
| Intuition | Comeback Kid | D♭ Major | 10 | 3B | 99 BPM | ||
| Given Flight by Demon's Wings | Shai Hulud | A♭ Major | 9 | 4B | 161 BPM | ||
| Amends | Touché Amoré | F♯ Major | 9 | 2B | 78 BPM | ||
| Lost & Alone | Brutality Will Prevail | F♯ Major | 10 | 2B | 75 BPM | ||
| Crush of the Year | American Nightmare | F♯ Major | 10 | 2B | 171 BPM | ||
| Shifting The Center | Final Fight | A♭ Major | 9 | 4B | 110 BPM | ||
| Scene Is to Be Seen | Touché Amoré | F♯ Minor | 9 | 11A | 131 BPM | ||
| Higher Learning | Down To Nothing | G Major | 10 | 9B | 142 BPM | ||
| Push Me Under | Your Demise | A♭ Major | 10 | 4B | 124 BPM | ||
| At Seapoint | Worthwhile | G Minor | 9 | 6A | 150 BPM | ||
| Wolves At My Door | Blacklisted | F♯ Major | 10 | 2B | 115 BPM | ||
| First and Ellen | Modern Life Is War | B Minor | 10 | 10A | 168 BPM | ||
| The Lives We Fear | Ruiner | E Minor | 9 | 9A | 156 BPM | ||
| Preferring The Worst | Dead Swans | C Major | 9 | 8B | 111 BPM | ||
| Exit Strategy | Sinking Ships | G Major | 10 | 9B | 109 BPM | ||
| A Missed Chance for a Meaningful Abortion | Dangers | D♭ Minor | 6 | 12A | 77 BPM | ||
| Keep Them Shut | Dead Swans | B♭ Major | 10 | 6B | 149 BPM | ||
| The Hanging Sun | Dead Swans | G Major | 10 | 9B | 138 BPM | ||
| Your Picture Hung Itself | Most Precious Blood | B♭ Major | 10 | 6B | 106 BPM | ||
| Calming, Crippling | Capsize | F Minor | 10 | 4A | 100 BPM | ||
| Stronghold - Destruction | Vales | F♯ Major | 9 | 2B | 103 BPM | ||
| Give Up | Sinking Ships | B Minor | 10 | 10A | 109 BPM |